tag:blogger.com,1999:blog-13522972128805489592024-02-20T07:25:55.425-08:00Satibara FilmProizvodnja labilnog filmaIvan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.comBlogger59125tag:blogger.com,1999:blog-1352297212880548959.post-8928062847654269402017-10-20T15:34:00.004-07:002017-10-20T15:35:16.118-07:00Zatvoren 8. MikroFAF<div dir="ltr" style="text-align: left;" trbidi="on">
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Završen 8. Mikro FAF: LOUD EDITION</div>
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Nakon trodnevnog takmičarskog i revijalnog programa u Muzeju
Jugoslovenske kinoteke, u subotu 14. oktobra zatvoren je osmi međunarodni festival
„uradi sam“ i nezavisnog kratkog filma – <a href="https://www.facebook.com/MikroFAF">MikroFAF</a>.</div>
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Članovi žirija, Dejan
Petrović, Filip Ćetković i Marko Grba Singh, dodelili su sledeće nagrade:</div>
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„Uradi sam“ kategorija: </div>
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<b style="mso-bidi-font-weight: normal;">Remek-delo</b>,
Jelena Novaković , Srbija – Mikropolis nagrada</div>
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<b style="mso-bidi-font-weight: normal;">Super Popara u službi građana</b>, Đorđe
Petrović – Posebna pohvala žirija</div>
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Nezavisni film:</div>
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<b style="mso-bidi-font-weight: normal;">Intervention of Evil</b>,
Yazid Mohammad, Singapur – Mikropolis nagrada</div>
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<b style="mso-bidi-font-weight: normal;">Citizens</b>, Marc Nadal, Španija –
Posebna pohvala žirija<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtIq7vc51gcRb-CmrQYIWsNIOnjXNhEmzeOwsH2pkS9td4px5Vsp3Jfx04ABj9AsgM4gmN-8Y5FegDp0yxOZmHXHyDdIWqlLqVaOODOLa0xy33XsqvaTPn4NL34Asys43cEMrLoqNhJOXV/s1600/nagrade.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="1106" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtIq7vc51gcRb-CmrQYIWsNIOnjXNhEmzeOwsH2pkS9td4px5Vsp3Jfx04ABj9AsgM4gmN-8Y5FegDp0yxOZmHXHyDdIWqlLqVaOODOLa0xy33XsqvaTPn4NL34Asys43cEMrLoqNhJOXV/s320/nagrade.jpg" width="320" /></a></div>
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Loud film: </div>
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<b style="mso-bidi-font-weight: normal;">A letter from Leticia</b>,
Irene Blei, Argentina <span style="mso-spacerun: yes;"> </span>– Mikropolis
nagrada</div>
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<b style="mso-bidi-font-weight: normal;">Pobednik</b>, Nemanja Jovanov, Srbija <span style="mso-spacerun: yes;"> </span>– Posebna pohvala žirija<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF_2vFAqusfeSXmLluKhHAoM19Ew_9K-SpiOIQSuKf8CXOM1LOpSs7PQ6D2sn5VAMrijdgOvGiLGlgW0d9acJW4DSMlvR6vriZgWChfJLW-M9ojEFz5c-cdjB92jio0aWRyu0gxrvubn1f/s1600/DSC_9577.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="711" data-original-width="1066" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF_2vFAqusfeSXmLluKhHAoM19Ew_9K-SpiOIQSuKf8CXOM1LOpSs7PQ6D2sn5VAMrijdgOvGiLGlgW0d9acJW4DSMlvR6vriZgWChfJLW-M9ojEFz5c-cdjB92jio0aWRyu0gxrvubn1f/s320/DSC_9577.jpg" width="320" /></a></div>
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Posebne
pohvale dodeljene su i sledećim kratkim filmovima:</div>
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<b style="mso-bidi-font-weight: normal;">San</b>, Marko Tomović, Srbija – Posebna
pohvala za eksperimentalni film</div>
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<b style="mso-bidi-font-weight: normal;">Dartmoor Interlude</b>,<b style="mso-bidi-font-weight: normal;"> </b>Amy Cutler, Engleska – Posebna pohvala
eksperimentalni film</div>
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<b style="mso-bidi-font-weight: normal;">Šuster</b>, Nenad Marinković – Posebna
pohvala za dokumentarni film<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnpacpbjuH3cFacW5ZfwtTRMc54_V9RiLLwsxEhIHp5cVHqc2zMPHa2nWLhLT85uswYcVFbReoNJRJioKG8xE_5SCqHHpVDjs5QTNHNbceTlrsk75eq8OjPN0l2JfoRe9NZYhfFtDZClsW/s1600/dodela+nagrada.+video+obracanje+Amy+Cutler.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="1106" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnpacpbjuH3cFacW5ZfwtTRMc54_V9RiLLwsxEhIHp5cVHqc2zMPHa2nWLhLT85uswYcVFbReoNJRJioKG8xE_5SCqHHpVDjs5QTNHNbceTlrsk75eq8OjPN0l2JfoRe9NZYhfFtDZClsW/s320/dodela+nagrada.+video+obracanje+Amy+Cutler.jpg" width="320" /></a></div>
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Posetioci Osmog MikroFAF-a su imali priliku da pogledaju 71
film različitih žanrova, formi i produkcijskih uslova iz zemalja širom sveta. U
takmičarskom programu prikazana su 63 filma, dok je revijalni program obuhvatio
filmove projekta „<a href="https://www.facebook.com/mojkrupniplan/" rel="nofollow" target="_blank"><span style="color: magenta;">Moj krupni plan</span></a>“ – inkluzivnih filmskih radionica za mlade,
kao i<span style="mso-spacerun: yes;"> </span>izbor filmova sa Međunarodnog
studentskog filmskog kapma „<a href="http://www.film-art.org/interaction/" rel="nofollow" target="_blank"><span style="color: purple;">Interakcija</span></a>“.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitbSW9S82JtKgEq6Ha4A88KSRQzHnPY2Aqd6KeSw1wBlGlNICMCBL2qZnqDwSlcbB3caxGfz03v40QtA0nqqS91bvV3IOxsCVM7oy8fGIC_S1VdCQxZ9oJkbsF1RpVnlF5gdpGYS2JJ19I/s1600/DSC_9502.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="1106" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitbSW9S82JtKgEq6Ha4A88KSRQzHnPY2Aqd6KeSw1wBlGlNICMCBL2qZnqDwSlcbB3caxGfz03v40QtA0nqqS91bvV3IOxsCVM7oy8fGIC_S1VdCQxZ9oJkbsF1RpVnlF5gdpGYS2JJ19I/s320/DSC_9502.jpg" width="320" /></a></div>
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U ovogodišnjoj selekciji veliku pažnju su privukli filmovi
veoma mladih autora iz Srbije, dosta debitantskih filmova, kao i nezavisni
filmovi profesionalaca iz celog sveta. </div>
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S obzirom da ovogodišnje izdanje
festivala nosi epitet Loud Edition, pored brojnih utisaka koje su ostavili
angažovani filmovi, moglo bi se reći da je glavni utisak da umetnici neće odustati
od izražavanja kroz filmsku formu bez obzira na teške okolnosti.</div>
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Nakon dodele nagrada, autori i posetioci su nastavili
razmenu utisaka i druženje u Klubu Perka.</div>
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Klikni na <a href="https://www.facebook.com/pg/MikroFAF/photos/?tab=album&album_id=1607940412602826" rel="nofollow"><span style="color: lime;">fotografije</span></a>.</div>
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Anonymoushttp://www.blogger.com/profile/16718758966292402619noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-6884035521294239292017-10-06T11:57:00.003-07:002017-10-20T15:36:10.726-07:00Program 8. MikroFAF-a<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>8. MIKROFAF: LOUD
EDITION<o:p></o:p></b></div>
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Muzej Jugoslovenske kinoteke 12-14. Oktobar 2017.</div>
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Kosovska 11, Beograd</div>
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<b><i><u>12.10.2017. ČETVRTAK<o:p></o:p></u></i></b></div>
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<b>18H<o:p></o:p></b></div>
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Citizens / Marc Nadal / Španija <i>15:00</i></div>
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Tri heroja / Kristina Milosavljević / Srbija <i> 06:20</i>
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Šuster / Nenad Marinković / Srbija <i>04:45</i></div>
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Shala / João Inácio / Brazil <i>10:00</i></div>
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Parking / Luka Palić / Srbija <i>08:24</i></div>
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<b>19H<o:p></o:p></b></div>
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Raskršće / Đorđe Ivanković / Srbija <i>05:28</i></div>
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She is I / Aleksandar Tokin / Srbija <i>09:17</i></div>
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Four Postcards to Marta / Herman Talavera / Španija <i>10:03</i></div>
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Story about Milenko Pavlović / Nastas Krnjaja / Srbija <i>03:11</i></div>
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Blindly / Valérian Denis, François Saintin / Francuska <i>07:41</i></div>
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Ljubav bez predrasuda / Đorđe Kovačević / Srbija <i>08:00</i></div>
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<b>20H<o:p></o:p></b></div>
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Stanica / Filip Stojiljković / Srbija <i>03:42</i></div>
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Skok / Lidija Antonović / Srbija <i>15:10</i></div>
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Hemi – JNT / Hemi Behmoaras / Turska <i>03:39</i></div>
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Mi / Tamara Bročić / Srbija
<i>10:00</i></div>
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Harry-A.K.A Bullet Baba / Rohit Bhardwaj / Indija <i>04:05</i></div>
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September 1963 / Dragan Mileusnić / Srbija <i>04:00</i></div>
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Dream executioner / Darwesh Omer /
Irak <i>14:45</i></div>
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<b>21:15H<o:p></o:p></b></div>
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To Leave or to Stay / Martin Brozers / Francuska <i>10:00
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Embrio on the Road / Aleksandar Joksimović / Srbija <i>05:00</i></div>
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Bela noć / Dragana Nikolić / Srbija <i>05:12</i></div>
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Teret / Stefan Teofilović / Srbija <i>08:00</i></div>
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Agelasta / Sara Gracia Jiménez /
Španija <i>04:00</i></div>
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Pobednik / Nemanja Jovanov / Srbija <i>12:04</i></div>
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What Dreams May Come / Edis Tursić / BiH <i>02:31</i></div>
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San / Novak Požarev / Crna Gora <i>01:56</i></div>
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<b><i><u>13.10.2017. PETAK<o:p></o:p></u></i></b></div>
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<b>18H<o:p></o:p></b></div>
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Pasji život / Aleksandar Novaković / Srbija <i>02:46</i></div>
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Sedeti / Anica Ražnatović / Srbija <i>07:47</i></div>
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Pokret / Ivana Nedeljković / Srbija <i>01:53 </i></div>
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<span class="InternetLink">Wu Wei (Non-Action)</span> / Bill Sandidge / SAD <i>02:33</i></div>
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Super Popara u službi građana / Đorđe Petrović / Srbija <i>05:14</i></div>
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Dear Goddess/ Ema Rose, Emma Guy / SAD <i>08:28</i></div>
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Kratak omaž ludilu / Anastas Stojilović / Srbija <i>02:26</i></div>
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<span class="InternetLink">The Underground Artist</span> / Sean Lindert / SAD <i>03:17</i></div>
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Nikad ne odustaj / Alen Bačlija / Srbija <i>09:32</i></div>
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<b>19:30H</b></div>
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<b>Revijalni program - Međunarodni studentski kamp "Interakcija" - izbor filmova</b></div>
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<b>21H<o:p></o:p></b></div>
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Vitraž / Nikola Šoškić / Srbija <i>12:10</i></div>
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Samo mravi i magarac / Milivoj Kostić / Srbija <i>00:34</i></div>
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<span class="InternetLink">Mouldable Kid</span> / Anaïs Clerc-Bedouet /
Francuska <i>07:56 </i></div>
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<span class="InternetLink">Delicatessen</span> / Fenglin Chen / SAD <i>04:40 </i></div>
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Pupi / Zoran Đurković / Srbija <i>01:00</i></div>
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Earth 2.0 / Igor Stanojević / Srbija <i>12:00</i></div>
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Inspektor Šupak / Marko Radolović / Hrvatska 13:46</div>
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Hypntoized / Bojana Ivanović i Katarina Stojanović /
Srbija <i>01:13</i></div>
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<b>22H<o:p></o:p></b></div>
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Dartmoor Interlude / Amy Cutler / Engleska <i>04:00</i></div>
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Možda / Maša Miljković / Srbija <i>07:38</i></div>
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Moje slike moji snovi / Lidija Ilić / Srbija <i>01:40</i></div>
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Neki Ljudi / Sava Miljković / Srbija <i>04:46</i></div>
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Song Sotto Voce / Pierre Bessette / Francuska<i> 10:20</i></div>
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<i> </i>Intruder / Marko Kovač / Srbija <i>03:00</i></div>
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<span class="InternetLink">Intervention of Evil</span> / Yazid Muhamad /
Singapur <i>15:00</i></div>
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<b><i><u>14.10.2017. SUBOTA<o:p></o:p></u></i></b></div>
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<b>18H<o:p></o:p></b></div>
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Šamlica / Aleksa Borković / Srbija <i>02:00</i></div>
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Those Drawn Alive / Jukka-Pekka Jalovaara/ Finska <i>06:00</i></div>
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Kraljevstvo pčela / Matija Krstić / Srbija <i>17:00</i></div>
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<span class="InternetLink">Graphic Sex Ed</span> / Russell Wyner / SAD 01:20</div>
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Crveno / Danilo Stanimirović / Srbija <i>10:21</i></div>
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Obsessed / Bojana Ivanović i Katarina Stojanović /
Srbija <i>01:07</i></div>
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<b>19:15H <o:p></o:p></b></div>
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<b>REVIJALNI PROGRAM </b></div>
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<b>Filmske radionice Moj krupni plan - završni kratki filmovi</b></div>
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<b>20:15H<o:p></o:p></b></div>
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Fried Barry / Ryan Kruger / Južna Afrika <i>03:25</i></div>
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Traspassing / Danilo Lučić / Srbija <i>06:51</i></div>
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Nije vreme za ljubav / Ivana Kosovac / Srbija <i>06:03</i></div>
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Remek-delo / Jelena Novaković / Srbija <i>06:37</i></div>
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<span class="InternetLink">Pink Dolphin</span> / Tuo Kan / SAD <i>04:11</i></div>
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<span class="InternetLink">A Letter from Leticia</span>/ Irene Blei /
Argentina <i>03:16</i></div>
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San / Marko Tomović / Srbija <i>02:35</i></div>
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<b>21H</b></div>
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DODELA NAGRADA</div>
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Anonymoushttp://www.blogger.com/profile/16718758966292402619noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-66537699078952589372017-10-06T11:13:00.002-07:002017-10-06T12:59:25.927-07:008. MikroFAF 12-14. oktobar 2017<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEPGSaAk76s8VqsMSekZIW0MOxIWoOrOeCFHDXbT798_WBvsU-qElYw9i2m1xrRpKOBAbzHeJYxiEUk4Kp2tpjX3BNkUjZZXxuvK4R0YRfcJ2cSO1WR4-MtK4FaoHt_eBQKf13us5WTOoF/s1600/event+cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEPGSaAk76s8VqsMSekZIW0MOxIWoOrOeCFHDXbT798_WBvsU-qElYw9i2m1xrRpKOBAbzHeJYxiEUk4Kp2tpjX3BNkUjZZXxuvK4R0YRfcJ2cSO1WR4-MtK4FaoHt_eBQKf13us5WTOoF/s320/event+cover.jpg" width="320" /></a></div>
<b>Osmo izdanje MikroFAF-a</b> održaće se 12-14. oktobra u Muzeju
Jugoslovenske kinoteke, u organizaciji Udruženja „Satibara”.</div>
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Sa fokusom na umetničkoj slobodi, samoorganizovanosti,
gerilskom filmu, art brutu, low-fi filmu, eksperimentalnim formama i svim
audio-vizuelnim oblicima kroz koje autori imaju potrebu da se izraze (Glasno!),
festival je ove godine obeležen sloganom LOUD EDITION! Akcenat je na filmu kao
sredstvu skretanja pažnje na pojave i događaje u društvu ili ličnom okruženju
koje možda izjedaju tiho, a zaslužuju glasnu reakciju. Loud film nema
žanrovskih ograničenja, važno je samo da je delo nastalo iz potreba da se digne
glas u ime onih koji ćute.<br />
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Na konkurs je pristiglo više stotina filmova iz svih krajeva
sveta: Balkana, Evrope, SAD, Kanade, Australije, Rusije, Iraka, Irana, Indije,
Afrike, Južna Amerike, Kine, Japana, Mjanmara, Latvije... Na naše veliko
zadovoljstvo, prijavili su se brojni mladi autori. Za takmičarski program
odabrana su<b> 63 fima</b>.</div>
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<b>Mikropolis</b>
nagrade, ručno rađene statuete akademske umetnice <b>Jelene Bošković</b>, biće dodeljene autorima filmova u tri kategorije:</div>
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<b>Kratki uradi sam
film.</b> Odnosi se na filmove u svim rodovima i tehnikama izrade (igrani,
dokumentarni, animirani, eksperimentalni), nastalim u neprofesionalnim
okolnostima, bez angažovanja profesionalnih radnika i bez profesionalnih
obaveza tokom i nakon realizacije.</div>
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<b>Nezavisni kratki
film.</b> Podrazumeva filmove koji ne odgovaraju uradi sam kriterijumima, a
koji su nastali u slobodnoj produkciji, bez komercijalnih namera i
producentskih pritisaka.</div>
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<b>Loud Film.</b> Ova
kategorija namenjena je filmovima koji skreću pažnju na pojave i događaje u
društvu ili ličnom okruženju koje možda izjedaju tiho, a zaslužuju glasnu
reakciju. Loud film nema žanrovskih
ograničenja, važno je samo da je nastao iz potrebe da se digne glas u ime onih koji ćute.</div>
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<b>ŽIRI </b><br />
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<b>Filip
Ćetković</b></div>
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Rođen 1981. u Beogradu. Osnivač MKC Kombinat, programski urednik bioskopa Mala
Sloboda i višegodišnji saradnik filmskog programa Doma kulture Studentski grad.</div>
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Bavi se prikazivanjem filmova i produkcijom kratkih formi
pod etiketom Krajnji Program.</div>
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<b>Dejan Petrović</b><br />
Scenarista i reditelj nekoliko kratkih igranih i
dokumentarnih filmova, kao i brojnih promotivnih filmova, reklamnih i muzickih
spotova, kao i emisija za televiziju. U svojstvu producenta, učestvovao je u
produkciji oko četrdeset kratkometražnih dokumentaraca. Osnivač je i direktor
Nezavisnog filmskog centra „Filmart“, u okviru koga se realizuje nekoliko
projekata, između ostalih i Međunarodni studentski filmski kamp „Interakcija“.
Profesor je režije na Akademiji umetnosti u Beogradu, ali i član udruženja
Doksrbija – Dokumentaristi Srbije. Dobitnik je nekoliko nagrada na filmskim
festivalima, između ostalih i Zlatne medalje Beograda za najbolji
scenario na 62. Beogradskom festivalu dokumentarnog i kratkometražnog
filma u Beogradu za film “Restart”.<b> </b></div>
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<b>Marko Grba Singh<o:p></o:p></b></div>
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Rođen 1988. godine u
Beogradu, SFRJ. Trenutno je na doktorskim studijama filmske i TV režije na
Fakultetu dramskih umetnosti u Beogradu. Napravio je nekoliko muzičkih spotova
za domaće pop i rok bendove. Njegovi kratki dokumentarci „Kasno smo se sreli“ i
„Bledo“ imali su svetsku premijeru na festival Visions du Réel u Nionu u
Švajcarskoj.</div>
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<span lang="SR">Njegov srednjemetražni igrani film „Abdul
& Hamza“, koji se bavi sudbinom izbeglica na tlu Evrope, premijerno je
prikazan na festivalu FID Marsej 2015. godine i dobio specijalnu nagradu žirija
u konkurenciji debitantskih filmova. Početkom aprila 2016. godine, u okviru
projekta Looking China, odlazi u Kinu i snima kratki dokumentarac „Stars of
Gaomeigu“, za koji dobija nagradu za najinovatiniji kratki film na festivalu
Visions du reel u Nionu, 2017. godine. Bio je član studentskog žirija na
festivalu u San Sebastijanu 2016. godine. Živi i radi u Beogradu.</span></div>
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Pored takmičarskog programa u kojem će biti prikazani filmovi autora svih
uzrasta i zanimanja, u revijalnom programu će biti predstavljeni:<br />
<br />
<b><a href="http://www.film-art.org/">Međunarodni studentski filmski kamp „Interakcija"</a></b> - Izbor dokumentarnih filmova<br />
<br />
Filmske radionice udruženja Satibara - <a href="http://www.facebook.com/mojkrupniplan/" rel="nofollow">Moj krupni plan</a> - završni filmovi učesnika<br />
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Nakon dodele nagrada, festival se nastavlja proslavom u klubu PERKA, Zetska br.1<br />
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ULAZ NA SVE PROGRAME JE BESPLATAN<br />
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Anonymoushttp://www.blogger.com/profile/16718758966292402619noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-38570656979759282012017-09-25T05:50:00.001-07:002017-09-25T06:36:37.439-07:00VIII MikroFAF - Official Selection<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: x-small;">Hvala vam svima na prijavama na 8. izdanje festivala. Dobili
smo mnogo odličnih filmova iz svih krajeva sveta: Balkan, Evropa, SAD, Kanada,
Australija, Rusija, Irak, Iran, Indija, Afrika, Južna Amerika, Kina, Japan,
Mjanmar, Latvija...</span></div>
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<span style="font-size: x-small;">Nakon dugog rada i teških odluka, šaljemo vam zvaničnu
selekciju za 8. MikroFAF koji će se održatu od 12. do 14. oktobra u Muzeju
Jugoslovenske kinoteke u Beogradu.</span></div>
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<span style="font-size: x-small;">Nastavite da stvarate i srećno svima!</span></div>
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<span style="font-size: x-small;">******</span></div>
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<span style="font-size: x-small;">Dear friends of MikroFAF,</span></div>
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<span style="font-size: x-small;">Thank you all for applying to the 8th edition of the
festival. We have received many great films from all over the world: the
Balkans, Europe, USA, Canada, Australia, Russia, Iraq, Iran, India, Africa,
South America, China, Japan, Myanmar, Latvia ...</span></div>
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<span style="font-size: x-small;">After long work and difficult decisions, we are sending you
the official selection for the 8th MikroFAF, which will be held on October
12-14 2017. at Museum of Yugoslav Film Archive in Belgrade.</span></div>
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<span style="font-size: x-small;">Keep filming and good luck to you all!</span></div>
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<span style="font-size: x-small;">Your MikroFAF team</span></div>
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<span style="font-size: x-small;"><b>Official Selection:</b></span></div>
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<b>Šamlica / Aleksa Borković / Srbija</b></div>
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<b>Embrio on the Road / Aleksandar Joksimović / Srbija</b></div>
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<b>Those Drawn Alive / Jukka-Pekka Jalovaara/ Finska</b></div>
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<b>Pasji život / Aleksandar Novaković / Srbija</b></div>
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<b>She is I / Aleksandar Tokin / Srbija</b></div>
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<b>To Leave or to Stay / Nico Martin / Francuska</b></div>
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<b>Nikad ne odustaj / Alen Bačlija / Srbija</b></div>
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<b>Kratak omaž ludilu / Anastas Stojilović / Srbija</b></div>
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<b>Sedeti / Anica Ražnatović / Srbija</b></div>
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<b>Hypntoized / Bojana Ivanović i Katarina Stojanović / Srbija</b></div>
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<b>Obsessed / Bojana Ivanović i Katarina Stojanović / Srbija</b></div>
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<b>Dear Goddess/ Ema Rose, Emma Guy / SAD</b></div>
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<b>Traspassing / Danilo Lučić / Srbija</b></div>
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<b>Crveno / Danilo Stanimirović / Srbija</b></div>
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<b>Fried Barry / Ryan Kruger / Južna Afrika</b></div>
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<b>Raskršće / Đorđe Ivanković / Srbija</b></div>
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<b>Super Popara u službi građana / Đorđe Petrović / Srbija</b></div>
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<b>Blindly / Valérian Denis, François Saintin / Francuska</b></div>
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<b>September 1963. / Dragan Mileusnić / Srbija</b></div>
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<b>Bela noć / Dragana Nikolić / Srbija</b></div>
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<b>Delicatessen / Fenglin Chen / SAD<br />
What Deams May Come / Edis Tursić / BiH</b></div>
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<b>Stanica / Filip Stojiljković / Srbija</b></div>
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<b>Four Postcards to Marta / Herman Talavera / Španija</b></div>
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<b>Earth 2.0 / Igor Stanojević / Srbija</b></div>
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<b>Nije vreme za ljubav / Ivana Kosovac / Srbija</b></div>
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<b>Intervention fo Evel / Yazid Muhamad / Singapur</b></div>
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<b>Pokret / Ivana Nedeljković / Srbija</b></div>
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<b>Wu Wei (Non-Action ) / Bill Sandidge / SAD</b></div>
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<b>Remek-delo / Jelena Novaković / Srbija</b></div>
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<b>The Dreams Executioner / Darwesh Omer / Irak</b></div>
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<b>Tri heroja / Kristina Milosavljević / Srbija</b></div>
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<b>Harry-A.K.A Bullet Baba / Rohit Bhardwaj / Indija</b></div>
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<b>Skok / Lidija Antonović / Srbija</b></div>
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<b>Moje slike moji snovi / Lidija Ilić / Srbija</b></div>
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<b>Parking / Luka Palić / Srbija</b></div>
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<b>Citizens / Marc Nadal / Španija</b></div>
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<b>Intruder / Marko Kovač / Srbija</b></div>
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<b>Inspektor Šupak / Marko Radolović / Hrvatska</b></div>
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<b>San / Marko Tomović / Srbija</b></div>
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<b>Mouldable Kid / Anaïs Clerc-Bedouet / Francuska</b></div>
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<b>Možda / Maša Miljković / Srbija</b></div>
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<b>Hemi – JNT / Hemi Behmoaras / Turska</b></div>
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<b>Kraljevstvo pčela / Matija Krstić / Srbija</b></div>
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<b>Song Sotto Voce / Pierre Bessette / Francuska</b></div>
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<b>Samo mravi i magarac / Milivoj Kostić / Srbij</b></div>
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<b>Stories Lived / Nastas Krnjaja
/ Srbija</b></div>
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<b>Pobednik / Nemanja Jovanov / Srbija</b></div>
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<b>Graphic Sex Ed / Russell Wyner / SAD</b></div>
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<b>Šuster / Nenad Marinković / Srbija</b></div>
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<b>Vitraž / Nikola Šoškić / Srbija</b></div>
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<b>San / Novak Požarev / Crna Gora</b></div>
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<b>Teret / Stefan Teofilović / Srbija</b></div>
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<b>The Underground Artist / Sean Lindert / SAD</b></div>
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<b>Mi / Tamara Bročić / Srbija</b></div>
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<b>Ljubav bez predrasuda / Đorđe Kovačević / Srbija</b></div>
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<b>Šnenokle / Zoran Đurković / Srbija</b></div>
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<b>Shala / João Inácio / Brazil</b></div>
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<b>Dartmoor Interlude / Amy Cutler / Engleska</b></div>
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<b>Neki Ljudi / Sava Miljković / Srbija</b></div>
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<b>Agelasta / Sara Gracia Jiménez / Španija</b></div>
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<b>Pink Dolphin / Tuo Kan / SAD</b></div>
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<b>A Letter from Leticcia / Irene Blei / Argentina</b></div>
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Anonymoushttp://www.blogger.com/profile/16718758966292402619noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-17688220284151169912017-06-20T14:29:00.000-07:002017-08-23T14:48:54.510-07:00Konkurs za prijave na 8. MikroFAF<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: white;">Dragi ljubitelji „uradi sam” filma svih uzrasta i zanimanja,<br />Pozivamo vas da prijavite svoje radove na konkurs za osmo izdanje međunarodnog festivala kratkog filma MikroFAF, u oraganizaciji Udruženja „Satibara”.<br />Ovogodišnje druženje i gledanje filmova biće od 5. do 7. oktobra u Muzeju Jugoslovenske kinoteke u Beogradu, a slogan pod kojim se festival održava je LOUD EDITION.<br />I dalje držimo fokus na umetničkoj slobodi, samoorganizovanosti, gerilskom filmu, art brutu, low-fi filmu, eksperimentalnim formama i svim audio-vizuelnim oblicima kroz koje imate potrebu da se izazite. Glasno!<br />Kategorije za koje se možete prijaviti su sledeće:</span></div>
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<span style="color: white;">• Kratki uradi sam film. Odnosi se na filmove u svim rodovima i tehnikama izrade (igrani, dokumentarni, animirani, eksperimentalni), nastalim u neprofesionalnim okolnostima, bez angažovanja profesionalnih radnika i bez profesionalnih obaveza tokom i nakon realizacije.</span></div>
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<span style="color: white;">• Nezavisni kratki film. Podrazumeva filmove koji ne odgovaraju uradi sam kriterijumima, a koji su nastali u slobodnoj produkciji, bez komercijalnih namera i producentskih pritisaka.</span></div>
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<span style="color: white;">• Loud Film. Ovom kategorijom želimo da vas pozovemo da skrenete pažnju na pojave i događaje u društvu ili vašem okruženju koje možda izjedaju tiho, a zaslužuju glasnu reakciju. Zabodite prst u oko, dunite u pištaljku, uperite kameru u srž problema, bacite kamenčić koji će da pokrene lanačnu reakciju. Loud film nema žanrovskih ograničenja, važno je samo da je vaše delo nastalo kao potreba da dignete glas u ime onih koji ćute.<br />Mikropolis nagrade - ručno rađene statuete - dodeliće tročlani žiri.</span></div>
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<span style="color: white;">Propozicije konkursa za 8. MikroFAF:</span></div>
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<span style="color: white;">1. Rok za dostavljanje radova je do 15. avgusta.<br />2. Prihvatljivo trajanje rada je do 15 minuta.<br />3. Maksimalan broj filmova po autoru je tri.<br />4. Ne postoje ograničenja u odnosu na zemlju porekla autora ili filma.<br />5. Autor treba da naznači za koju kategorija prijavljuje film (Uradi sam film, Nezavisni kratki film, Loud Film). Ukoliko to ne učini ili ako film ne odgovara prijavljenoj kategoriji, organizatori će u odnosu na temu ili „uradi sam” princip uključiti film u jednu od selekcija po svom nahođenju.<br />6. Filmovi koji nisu na srpskohrvatskom ili engleskom jeziku, moraju imati prevod (na jedan od ova dva pomenuta jezika).<br />7. Radovi se prijavljuju tako što ih pošaljete elektronskim putem podizanjem filma na neki od sajtova za deljenje velikih fajlova (Wetransfer, DropBox, SendSpace,Yousendit, FileConvoy i sl.) i ispišete podatke koje nam pošaljete na e-mail festivala mikro.faf@gmail.com, nakon čega će vam prijem biti potvrđen i film će se smatrati prijavljenim.<br />8. Podaci koje je neophodno dostaviti su: naziv filma, ime i prezime autora, godina i zemlja produkcije, kratak opis (maksimalno 500 reči) i trajanje filma, kratka biografija autora (maksimalno 500 reči), kontakt telefon i e-mail autora. Nepotpune prijave neće biti razmatrane.</span></div>
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<span style="color: white;">Napomene: Jednom prijavljen film nije moguće odjaviti; festival zadržava pravo na prikazivanje filma više puta kao deo selekcije festivalskog programa uz obaveštavanje autora, kao i na korišćenje isečaka ili fotografija iz filma u promotivne svrhe.</span></div>
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<span style="color: white;">Za sve dodatne informacije pišite nam na mikro.faf@gmail.com</span></div>
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<span style="color: white;">Srećno!</span></div>
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<span style="color: white;">Vaš MikroFAF tim</span></div>
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<span style="color: white;">Dear lovers of "do it yourself" movies of all ages and occupations,</span></div>
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<span style="color: white;">We invite you to submit your works to the competition for the eighth edition of the international Short Film Festival MikroFAF, organized by the Association "Satibara".<br />This year we will gather and watch movies from the 5th to the 7th of October at the Museum of Yugoslav Film Archive in Belgrade (Serbia).<br />The slogan of the Festival is LOUD EDITION.<br />We keep focusing on artistic freedom, self-organization, guerilla, art brut, low-fi movie, experimental forms and all audio-visual forms through which you can express yourself. Loud!<br />The categories you can sign up for are:<br />• Short DIY Film. It refers to movies of all genres (fiction, documentary, animated, experimental...) and production techniques, made in non-professional circumstances, without the involvement of film professionals and without professional obligations during or after the production.</span></div>
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<span style="color: white;">• Independent Short Film. It refers to film makers that do not correspond to DIY criteria, who work in independent production, without commercial intentions and pressures of the producers.</span></div>
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<span style="color: white;">• Loud Film. With this category, we want to invite you to draw attention to the phenomenon and events in a society or environment, which may be "killing" quietly and deserve a loud response. Stack your finger in the eye, dangle into the whistle, point your camera to the core of the problem, throw a stone that will trigger a chain reaction. Loud Film has no genre restrictions, it's only important that your work was created as a need to raise a voice in behalf of those who are silent.<br />Mikropolis Prizes - handmade statuettes - will be given by a three-member jury consisting of renowned artists from various areas of the arts.</span></div>
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<span style="color: white;">Contest rules for 8th MikroFAF:<br />1. The deadline for submitting entries is 15th August, 2017.<br />2. Acceptable duration of short films is up to 15 minutes.<br />3. A maximum of three works can be submitted by each author.<br />4. There are no restrictions on the country of origin of the author.<br />5. The author may indicate which category they are entering the film for (Short DIY Film, Independent Short Film, Loud Film). If the author does not state an award or the film does not correspond to the chosen selection, the organisers will use their discretion to enter the film into a suitable category.<br />6. Films that are not in Serbian or English must have a translation (in one of the two languages mentioned).<br />7. You can apply electronically by uploading the films to one of the sites for sharing large files (Yousendit, Sendspace, Wetransfer, DropBox, FileConvoy etc.) and send the download link, along with the necessary information, to the festival email (mikro.faf@gmail.com). You will be sent confirmation that we have received it and the movie will be considered entered.<br />8. VERY IMPORTANT – Required Information when applying: the name of the movie, country of production, the duration and a brief description (up to 500 words) of the film, the author's name, age and a short author biography (up to 500 words), contact phone number and an e-mail address for the author. Incomplete applications will not be considered.</span></div>
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<span style="color: white;">Notes: Once entered, it is not possible to withdraw your film from the festival. The festival reserves the right to show the film several times as part of the selection of the festival program, as well as the use of clips or stills from the film for promotional purposes. Authors will be informed about any such actions.</span></div>
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<span style="color: white;">Good luck!</span></div>
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<span style="color: white;">Yours, MikroFAF</span></div>
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Anonymoushttp://www.blogger.com/profile/16718758966292402619noreply@blogger.comtag:blogger.com,1999:blog-1352297212880548959.post-5314442029006613212016-03-02T08:36:00.002-08:002016-03-02T08:54:25.221-08:00FEST 2016: ANARHISTI (LES ANARCHISTES)<div dir="ltr" style="text-align: left;" trbidi="on">
Adele Exarchopoulos, zvezda proslavljenog PLAVO JE NAJTOPLIJA BOJA (BLUE IS THE WARMEST COLOR), i milje francuskih anarhista s kraja XIX veka, očito su bili dovoljni da kostimiranoj političkoj melodrami Eliea Wajemana omoguće prikazivanje u Kanu, i punu salu Doma omladine u večeri beogradskog FEST-a 1. marta, iako je reč o mlakom i nedorečenom filmu, koji bi u formi TV-serije možda povezao sve labave niti i realizovao svoje ambiciozne namere, što, nažalost, ne uspeva u 100 minuta ravnog ritma, sa retkim akcentovanim scenama i fabularnim punktovima.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5kD3C76YCtAEXdBujn062gi_rMTB7HWBjZvv-PFcIjKjK_X7G7gr4_B0XBGzaDYKjx-IrZA8rC7ge8js8IDzKnLO3QD0YdWC2_tGsEN4hR5ZhgSNSSwtM6cJ9vRvLvE9fZYqCaMn_69fE/s1600/093465.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5kD3C76YCtAEXdBujn062gi_rMTB7HWBjZvv-PFcIjKjK_X7G7gr4_B0XBGzaDYKjx-IrZA8rC7ge8js8IDzKnLO3QD0YdWC2_tGsEN4hR5ZhgSNSSwtM6cJ9vRvLvE9fZYqCaMn_69fE/s320/093465.jpg" width="235" /></a><br />
Iako je najviše zamerki upućeno na odnos Žana Albertinija, policijskog doušnika koji se ubacuje u grupu pariskih anarhista, u septembru 1899. godine, i Židit, mlade, lepe anarhistkinje zaljubljive prirode i slobodnih manira, u koju se Žan zaljubi, i koju potom pokušava da sačuva u izveštajima policiji, glavni problem nije u dramaturškoj obradi tog odnosa, niti u "hemiji" između glumaca - iako jeste i u tome. Problem, naime, leži upravo u rediteljskoj koncepciji - naglašeno plav kolorit, koji je trebalo da Pariz učini mračnim, u stvari guši figure i mizanscen, na momente se akcija i reakcije glumaca jedva i vide, a dominacija krupnih planova u pretežno govornim scenama, kojima film obiluje, umanjuje glavnu tenziju u zapletu, i utiče na lošu preglednost priče. Ključna scena seksa Žana i Židit rešena je u ekstremno krupnim planovima lica, gde ne vidimo ni s od strasti, i ni m od moralne dileme Žana koji mora da laže Židit, iako bi te dve stvari naprosto morale biti u sceni. Nejasnu funkciju imaju i anahronizmi u muzici, tj. da se originalna gudačka tema, koja je ilustrativna i retko doprinosi odnosima ili atmosferi, kombinuje sa savremenim muzičkim numerama, poput "I Go to Sleep" od The Kinks.<br />
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Iako je politička radikalnost anarhista mogla biti iskorišćena da film dobije na intenzitetu i da se podignu dramski ulozi, ona se javlja samo na početku filma, da bi se kasnije gotovo potpuno izgubila - anarhisti su svedeni na kradljivce escajga i nakita po grobljima, puno sastanče i malo toga rade, pa od neke ozbiljne dramatičnosti revolucionarnog rada - opasnosti od policije, progona, skrivanja, atentata, pobune radnika ili slobodnog života u komuni - nema ni govora.<br />
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Likovi u grupi koju pratimo prikazani su kao sanjari i zanesenjaci, skupina sastavljena od komunarske dece, razočaranih buržuja, preprodavaca i blentonja, i njihove političke ideje, svedene na floskule i parole, u takvom kontekstu ne zvuče relevantno. Žan je, dakako, u centru drame, pošto je u poziciji policijskog doušnika koji pokušava da spase ženu u koju je zaljubljen, u trenutku kada otkriva da mu je pokojni otac takođe bio anarhista, i postaje sve bliži anarhističkim idejama. Publika bi se lako vezala za tu prepoznatljivu poziciju iz melodrama i trilera - junak koji se lažno predstavlja ulazi u odnos s nekim da bi nešto izvukao, a onda postaje istinski blizak s tom osobom, pokušavajući da odloži trenutak istine - da je takva Žanova pozicija zaista bila glavni rediteljev fokus. No, budući da se ta pozicija ne postavlja efikasno, njeno razrešenje na kraju, kada Židit shvata ko je bio Žan, i beži u Ameriku, deluje emotivno neubedljivo.<br />
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U odnosu na vinterbergovu KOMUNU, takođe u programu FEST-a, ili JAHAČ PO IMENU SMRT Šahnazarova, recentniji primer slične priče, ANARHISTI su slab film kog glavni aduti pomenuti na početku teksta teško da mogu ostaviti u sećanju gledalaca. Samim tim, bio bih iznenađen da dobije nagradu na FEST-u, u glavnoj takmičarskoj selekciji.<br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-21823446852127788472016-03-02T07:08:00.002-08:002016-03-02T07:20:39.021-08:00FEST 2016: MRVICE (CRUMBS)<div dir="ltr" style="text-align: left;" trbidi="on">
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(CRUMBS) su postapokaliptična fantazija smeštena u Etiopiju, jeftin
sci-fi na granici amaterskog filma, sa dozom komedije, obiljem nadrealističkih
prizora i stavom bunjuelovske nehajnosti prema logici narativa. U filmu glume
naturščici, a sama priča kao da nije najpre napisana u obliku scenarija,
već da je improvizovana prema živopisnim lokacijama na koje je reditelj
Miguel Llansó nailazio u slobodnim danima tokom svoje diplomatske
karijere činovnika u španskoj ambasadi u Etiopiji.<br />
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Zapuštene
pruge, dotrajali vozovi, napuštene železničke stanice i kuglane, stari
bioskop u kom se 40 godina vrti neki užasan film o Supermenu, ruševine i
zarđale mašine, u oštrom kontrastu sa pejzažima Etiopije koji oduzimaju
dah, ogromnim zelenilom i plavetnilom šuma, jezera i planina, a iznad
svega svemirski brod koji iznenada počinje da radi - to je ambijent
Llansoovog filma, u koji on pokušava da smesti pravolinijsku priču o
putovanju heroja, ali da se istovremeno šali sa njenim tropovima i
obrascima postapokaliptičnog filma.<br />
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Za to uglavnom koristi
rekvizite, i, ako ni zbog čega drugog, MRVICE vredi gledati jer se u
njima vide razni zabavni efekti koji se mogu ostavariti smeštanjem
poznatih i banalnih predmeta u neobičan filmski kontekst. Svet u kom
žive Kendi, oniži tip sa čupavom kosom i bradom, zgrbljen i iskrivljene
kičme, koji veruje da je došao sa druge planete, i njegova trudna žena
Brdi, koja održava kuglanu u kojoj žive, sanja čudne snove, i komunicira
sa Deda Mrazom, zasićen je ostacima američke pop kulture, koji godinama
nakon Velikog rata i apokalipse, postaju predmeti religijskog
obožavanja, ali i cenjena roba na tržištu.<br />
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Figurice Nindža-kornjača,
ploča Majkla Džeksona, mačevi Mastersa, majica Supermena - to su
rekviziti koji se istovremeno proglašavaju za kulturne artefakte nestale
civilizacije, i služe heroju Kendiju kao talismani i oružje na
putovanju u potrazi za Vešticom i Deda Mrazom, od kojih očekuje da mu
kažu kako da se domogne letećeg tanjira i vrati na svoju rodnu planetu.
Naravno, ovakav religijsko-arheološki kontekst u koji su smešteni
trivijalni predmeti masovne kulture, proizvodi nepogrešivi komični
efekat - kao i slika Majkla Džordana, kom se Brdi, pred kičastim
oltarom, moli za uspeh svog muža Kendija. Ipak, ma koliko to zvučalo zanimljivo, treba imati na umu da film izgleda kao niskobudžetna amaterska produkcija, na kojoj se ekipa dobro zezala, i da su gegovi i šale sa igračkama i rekvizitima katkad naprosto infantilni.<br />
<br />
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<br />
Srećom, film traje 68 minuta, i
za to vreme uspeva da u svojoj nadrealističkoj konfuziji napravi
nekoliko zabavnih trenutaka, a da to sve ne postane pretenciozno i
zamorno. Reč je o filmu kakav bi kod nas pravili Siniša Dugonjić, Miki
Lakobrija i ekipa oko Mladih kadrova za Festival jeftinog filma u
Subotici, tamo negde početkom 2000-ih, a niz takvih simpatičnih
amaterskih dela opisan je u knjizi Izgubljeni svetovi srpskog filma fantastike Jovana Ristića i Dragana Jovićevića, tako da naša odabrana publika može lako da prihvati ovakav pristup
filmu (Dragan Jovićević je i u žiriju FEST-ove selekcije Granice, u
okviru koje su MRVICE prikazane).<br />
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<br />
Međutim, zaista je pitanje ko bi, osim
festivala treša, horora i svakakvog fantastičnog film, čiji selektori
imaju gikovsku naklonost prema ovakvom tipu filma, ozbiljno razmatrao
MRVICE za neku važnu nagradu- tako da su prikazivanje Llansoovog filma u
Rotedramu, i nagrade na Los Anđeles Film Festivalu i na Fantasia Film
Festivalu u Montrealu zaista vrhunski uspeh MRVICA. Ipak,
čini mi se da na reditelja Miguela Llansoa treba obratiti pažnju: on
poseduje ironiju, duhovitost i nadrealistički nerv, a svojim uzorima
proglasio je Bunjuela, Hercoga i Čaplina, i nije da se nešto od njihovog duha ne vidi u MRVICAMA, što je dovoljna preporuka da
poželim gledati i njegov drugi film. <br />
<br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-32714275355679390342016-02-29T04:53:00.002-08:002016-02-29T05:12:24.517-08:00FEST 2016: ZAŠTO SI ME OSTAVIO (LAMA AZAVTANI)<div dir="ltr" style="text-align: left;" trbidi="on">
ZAŠTO SI ME OSTAVIO (LAMA AZAVTANI) već od naslova upućuje na svoj
prvenstveni interes za religijska značenja, jer je reč o poznatom stihu
iz 22. Psalma Davidovog, koji potom u Novom Zavetu izgovara i Hristos na
krstu. Religijski simbolizam naglašava se i prvim natpisom, iz
Jevanđelja po Mateju, o tome da je bolje odseći ruku koja te navodi na
greh, nego da ti celo telo trune u paklu - što je često tumačeno kao
zabrana masturbacije.<br />
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Debitantski film izraelske rediteljke Hadar
Morag doslovno kombinuje smisao izvora na koje upućuje: pratimo priču o
Muhamedu, mladom palestinskom momku iz Tel Aviva, koji radi u pekari, u
nepodnošljivoj buci, kradom masturbira, i vozi bicikl kroz grad, od
jevrejskog dela, u kom radi, do arapskog, u kom živi, pokušavajući da
izbegne vršnjačko nasilje: klinci ga jure, tuku, nazivaju ga izdajnikom,
a kod kuće, gde živi s majkom i sestrom u bedi, dok mu je otac u
zatvoru, nije mnogo bolje. Kada Muhamed upozna Gureviča, matorca koji
vozi motor i zarađuje oštreći noževe po restoranima, priča se baš ne
razvija mnogo, ali svakako dobija na religijsko-frojdističkoj simbolici -
što, po svemu sudeći, zapravo i zanima rediteljku. Do kraja filma
Gurevič će Muhamedu postati guru i zaštitnik, a detalji ruku i noževa u
scenama oštrenja, uz scene masturbacije, naglasiće homoerotizam,
pervertirani odnos simboličkog oca i sina, a potisnuta i tabuizirana
seksualnost, kako to već biva, vodi u bizarno nasilje na kraju filma.<br />
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Pošto
želi da izbegne jezička objašnjenja, kako bi ostavila gledaocu da u
prizore upisuje simbolička značenja, Morag igra na kartu ekspresivne i
pojačane zvučne slike: sveden dijalog, ili izostanak dijaloga, otvara
prostor da neprekidni ropot mašina u pekari, brujanje kamena za
brušenje, brundanje motora, šum gradskog saobraćaja, i druga buka koja
prati Muhameda, dođu u prvi plan. Kamera je iz ruke, ali stabilna, uz
par scena dokumentarističkog drmusanja i praćenja junaka iza leđa, igra
se na režiju unutar kadra, naročito na treći plan, gde se par puta
usmerava pažnja gledaoca (u jednoj od ključnih scena, kada se otkrivaju
Gurevičeve seksualne sklonosti, ta dubina kadra zaigra, ali nisam
siguran da li je dobro rešenje, jer gledalac može lako da previdi šta se
dogodilo), vožnje bicikla su nešto dinamičnije, ali nakon prve scene
napada na Muhameda više otkrivaju neku atmosferu Tel Aviva nego što
govore o glavnom junaku, fotografija jeste dokumentaristički sirova u
eksterijerima, ali je u enterijerima, često u mraku ili senkama, svetlo
dosta kontrolisano zarad naglasaka. <br />
<br />
Morag je očito imala nameru
da istakne i motiv tela, tako da gledalac prestane da razmišlja o
profilima likova, već da se bavi njihovom fizikalnošću i dešifrovanjem
religijskog podteksta, ali bojim se da za takav pakt sa gledaocem nije
ponudila dovoljno razloga ni u naraciji ni u vizuelnom stilu. Tome su
daleko više doprineli naturščici u glavnim ulogama - Muhammad Daas,
klempav, kratko ošišan i izdužen klinac spojenih obrva, u dronjavom
odelu i tamnog tena, i suvonjavi, sedi Yuval Gurevich, koji bez osmeha, u
crnoj rokerici, oštri noževe i vozi motor. S njima dvojicom, ova priča,
očišćena od teoloških pretenzija, bila bi svakako efektnija u kratkom
filmu.<br />
<br />
ZAŠTO SI ME OSTAVIO je na FEST verovatno stigao putem Venecije, gde je prikazan u selekciji "Horizonti". Kada je reč o Beogradskom Pobedniku, ovom filmu bi zbog
religijske simbolike mogao biti naklonjen Pavel Lungin, ali sumnjam da
ima veće šanse za nagradu.<br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-11226469917903936192016-02-29T03:50:00.001-08:002016-02-29T05:19:21.894-08:00FEST 2016: ODABRANE (LAS ELEGIDAS)<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: left;">
<span style="font-family: inherit;">ODABRANE (L<span style="font-family: inherit;"><span style="font-family: inherit;">AS ELEGIDAS</span></span>), drugi film meksičkog reditelja Davida Pablosa,
prikazan u Kanu u selekciji Un Certain Regard, tematizuje trgovinu
ljudima i maloletničku prostituciju u Meksiku. Priča intrigantne premise
odigrava se u Tihuani, gradu na granici Meksika i SAD-a: Ulis i Sofija
otpočinju ljubavnu vezu, ali otkriva se da je on podvodač za javnu kuću
koju drže njegov otac i brat, a da je ona odabrana da bude njegova prva
žrtva.</span></div>
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Za gledaoca koji nije pročitao sinopsis pre odlaska u
bioskop, film počinje kao obična tinejdžerska ljubavna priča. Prvi
nagoveštaj problema vidimo kada Sofija upozna Ulisovu porodicu, a iz
Ulisovog ćutanja i ozbiljnog lica usred živahnog porodičnog ručka,
shvatamo da nešto nije u redu. U 15. minutu filma Ulis naprosto kaže
Sofiji kakav mali porodični biznis vodi njegov otac, i od tada je
dijalog značajno redukovan, a priča dobija na intenzitetu s početkom
ozbiljnog konflikta, jer Ulis želi da izvuče Sofiju iz predviđenog
scenarija, i ulazi u sukob sa ocem i bratom. Dozirajući informacije i
plasirajući ih na vreme, Pablos u prvoj polovini filma sigurno vodi
priču, uvodeći još jedan nivo zapleta - paralelno pratimo Sofijine prve
dane u javnoj kući, Ulisov otpor ocu i njegovu moralnu dvojbu kada mu
otac kaže da može izvući Sofiju, ako dovede drugu. Kada sa drugom
devojkom počne da se ponavlja sličan scenario, ali s malo više njenog
otpora, priča zbog predvidljivog ponavljanja s neznatnim varijacijama
počinje da biva zamorna, i to je, uz tanušne motivacije likova i njihove
nerazvijene profile, koji više služe moralitetu i tematskom fokusu na
prostituciju, nego kompleksnoj ljudskoj drami, najveća mana Pablosovog
inače solidnog filma.<br />
<br />
Stilski, u pitanju je manje-više klasičan
festivalski sporać, sa uglavnom statičnom kamerom i ponekad uzdržanim
pokretima, farovima i pokojim švenkom, koji posebnu funkciju dobijaju u
prostoru javne kuće, kada hladnokrvno otkrivaju ogoljeni prostor - bele
zidove, kauč i par stolica - u kom su kidnapovane devojke prisiljene na
rad, i time naglašavaju da je naprosto reč o zatvoru u kom su devojke
seksualno eksploatisane, a ne o egzotičnom mestu erotskog naboja.<br />
<br />
<span style="font-family: inherit;">Tu
su, dakako, i obavezna ritmička usporavanja i pauze, sa glavnim likom
koji je negde sam i ne radi ništa, namenjene nagađanju publike o
njegovom unutrašnjem životu: imamo tri puta kadar u kom je Ulis ispred
plavog zida u svojoj sobi, ali je ta vrsta klišea ipak varirana izmenama
u radnji (treći put u sobu ulazi brat i donosi Ulisu deo novca koji je
Sofija zaradila, u trenutku kada je Ulis pred najvećom etičkom dilemom
da li da uopšte pristane da živi od te javne kuće, i kako da se otrgne).
Na sredini filma, i Sofija je slično kadrirana, ali pred žutim zidom,
sa sličnom namerom nagađanja publike o tome da li se već prilagodila
užasu javne kuće.</span><br />
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</div>
<span style="font-family: inherit;">
Sve je, dakle, stilski promišljeno i
konzistentno, i bez mnogo originalnosti ili intenziteta, kako se i
očekuje od ovakve vrste filma, ali se ipak izdvajaju dva trenutka. Prvi
je kada Ulis izađe na ulicu da pronađe onu kojom želi da otkupi Sofiju, a
brat mu objašnjava kako da je uspešno zavede: u montažnoj sekvenci, na
horizontalno podeljenom ekranu (split-screen), vidimo dosta devojaka,
raspoloženih, mladih i naivnih, i cela scena metaforički sažima poentu
koju Pablos želi da izgura tokom celog filma: nakon što smo videli
sudbinu Sofije, prve devojke koju je podveo, svaku devojku koju Ulis
pogleda gledamo kao potencijalnu žrtvu, a svako zavođenje kao moguće
podvođenje. <br /><br />Drugi upečatljiv trenutak istakli su svi dosadašnji
kritičari, a to je, takođe montažna, sekvenca Sofijinog rada u javnoj
kući: klijenti su prikazani goli do pasa, ispred belog zida, frontalno
kadrirani u srednjem planu, i gledaju u Sofiju, slično kadriranu, ali iz
višeg rakursa, tako da deluje podređeno, uz zvuke seksualnog odnosa u
offu.<br /><br />Osim očigledne teme maloletne prostitucije u Meksiku, tu su
teme porodice i patrijarhata, ili bolje: naličja tipične srednjeklasne
porodice. Naime, Ulisu se nekoliko puta naglašava da mora ostati u
podvođenju zbog porodice, a prostitucija se kontrastira sa toplim
porodičnim scenama Ulisove podvodačke familije. Čak je porodična
normalnost iskorišćena kao mamac <span style="font-family: inherit;">kojim se</span> zadobija poverenje žrtava - obe
stvari na kraju imaju istu poentu, da je trgovina ljudima potpuno
normalizovana (Ulis kaže da je i policija na njihovoj strani) i da
postaje deo ekonomske razmene, u kom su žrtve iz siromašnih porodica
najpre zavedene klišeima romantične ljubavi, a potom surovo
eksploatisane, bez ikakvih posledica. U postavljanju glavnog lika u
središte tog moraliteta, Pablos je zapravo najbolji, ali film ne nudi
nikakvo rešenje. Osim ako ne zaključimo da je sve veća moralna
korumpiranost, koju doživljava Ulis pokušavajući da nađe kompromis,
jasan odgovor da samo odlučan otpor može spasiti ako ne život, ono barem
dušu.<br /><br />Na kraju, ODABRANE su samo festivalska sigurica, ni po
čemu izuzetna, a pošto je film u glavnom takmičarskom programu FEST-a,
čini mi se da u ovakvoj, u suštini slaboj, konkurenciji, ima šanse barem
da bude ozbiljno razmatran, iako pretpostavljam da će u sukobu sa
ZVIZDANOM, regionalnim favoritom, kom bi mogli biti naklonjeni glumci, i
99 DOMOVA, koji je najcelovitiji i rediteljski vrlo ubedljiv, otpasti u </span><span style="font-family: inherit;"><span style="font-family: inherit;">fin</span>alnom krugu za Beogradskog Pobednika.</span><br />
<br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-40576422677302868312015-06-26T10:54:00.000-07:002015-06-26T10:58:34.442-07:00CLIP AND THE TURBO FOLK GENERATION<div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="EN-US" style="mso-ansi-language: EN-US;"></span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="mso-ansi-language: EN-US;">"I
did not invent turbo folk. I simply <i style="mso-bidi-font-style: normal;">named
</i>it," in his 2005 song called "Turbo Folk" says Rambo
Amadeus, jazz-rock and avant-garde composer based in Belgrade, Serbia, who is
often considered as the father of the genre. When thinking about this
statement, we actually find ourselves in the middle of an intensive debate in
the Balkans. Was turbo folk phenomena consciously created, promoted and
exploited by the regime of Slobodan Milošević, i. e. by the cultural and economical
elites close to him, in order to establish an escapist soundtrack to cover the wars
and robberies of the 1990s? Or was it simply an expression of cultural taste
and desires of the masses that could finally have its moment of pathos, after
the state-controlled culture fell apart with Eastern European socialism in 1989?</span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbgoEChy6pz1dp5A2eF7zCOCRNeoDIf8-dx182IzljLqs9bIWJ9z_poOZqQZTQXUztS6vV6-Z78dgmHxCpfBM-brzSr78si2wdCZ0UnQ0D1cVBq8rskLHRjGJC04tFW5Ohc6mC_BxTa8Q9/s1600/rambo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbgoEChy6pz1dp5A2eF7zCOCRNeoDIf8-dx182IzljLqs9bIWJ9z_poOZqQZTQXUztS6vV6-Z78dgmHxCpfBM-brzSr78si2wdCZ0UnQ0D1cVBq8rskLHRjGJC04tFW5Ohc6mC_BxTa8Q9/s320/rambo.jpg" width="320" /></a></div>
<div class="MsoBodyText">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Most probably
– it was both. As almost every other mass culture phenomena, turbo folk has its
regressive and exploitative side, but liberating and subversive one as well. We
can see how in Maja Miloš’ film CLIP (2012) Serbian kids embrace the dominant mainstream music
genre in the Balkans and its sang models of behavior (promiscuity, alcohol,
exhibitionism, violence, kitsch), while at the same time making it a liberating
experience for their bodies, a paradigm that enhances their sex and enjoyment,
their independence, and, after all, annihilates the misery of their poverty and
the dictate of “socially reasonable” conformism. That said, we can certainly debate
whether Maja Miloš is true to the real situation and honest in her worried approach,
or whether she is exploitative and unfair when she presents the working class
Serbian kids as peculiar population with uncontrollable hedonistic zeal: they
do everything that bourgeois class wants to do (filmmakers in Serbia usually
fall under this higher class), but has good moral and education that prevents
it from doing? Therefore, bourgeois filmmakers can envy these ‘other’, working-class
turbo folk kids, for having the opportunity to set themselves on fire.</span></div>
<br />
<div class="MsoBodyText">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7me8Tx71G7Z8ujX7ZdL2agHgvraD3E4qxo1gLXHX5M67lqdY16xynBn3hagicNplGDM847P_0y8vyqpxnkMOoI-dSn6Pist0IEmLTBNBrEAzxjULXL4Z3QfXiBTWwtpWXsrIxWCi3_PIy/s1600/MV5BMjE3NzQxOTg0N15BMl5BanBnXkFtZTcwNTkwOTMyOQ%2540%2540._V1_UX148_CR0%252C0%252C148%252C200_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7me8Tx71G7Z8ujX7ZdL2agHgvraD3E4qxo1gLXHX5M67lqdY16xynBn3hagicNplGDM847P_0y8vyqpxnkMOoI-dSn6Pist0IEmLTBNBrEAzxjULXL4Z3QfXiBTWwtpWXsrIxWCi3_PIy/s1600/MV5BMjE3NzQxOTg0N15BMl5BanBnXkFtZTcwNTkwOTMyOQ%2540%2540._V1_UX148_CR0%252C0%252C148%252C200_AL_.jpg" /></a></div>
<div class="MsoBodyText">
<span lang="EN-US" style="mso-ansi-language: EN-US;">This
complex set of questions is also at the center of the turbo folk ambivalence,
and it is perfectly visible in the careers of the turbo folk parents – Rambo
Amadeus and Marina Tucaković. A little bit of context: during the period when
Serbia was a part of the socialist Yugoslavia (1945-1991), all broadcasting
companies were publicly owned. Therefore, culture in general was developed with
an enlightened aim to educate the masses, which meant it was mostly a
compromise between high- and lowbrow culture, shaped by the editors and
editorial boards. Although SFR Yugoslavia had a sort of market socialism, at
the end of the 1980s and the beginning of the 1990s even more free market came:
private music production and broadcasting companies, discotheques and clubs, right-wing
populism and nationalism in the political sphere… “I was listening to the radio
then,” once said Rambo Amadeus in an interview, “and 90 percent of the stations
were playing some terrible folk music. The lyrics were stupid, the music
simplified. So I decided to experiment with this folk market boom and make some
folk songs that were even more stupid. I sold them to some of the emerging folk
performers and waited to see what would happen.” This experiment wasn’t
something Amadeus had never tried before: in the early and mid-1980s, he was
mocking the folk music by taking its worst lyrical banality and typical
melodies and adding to it gothic rock style, hard rock riffs, funky and disco rhythms,
etc. </span></div>
<div class="MsoBodyText">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinUL2RTZJVzlLQD5yWdE_jqr60z632bqRu_t3tEmlGIV0HKXC-NBHFpLJ6SsF1zb4pvJynul7m3mvuOgJod6ypAuSYnPohi3xET0kmL-FBsUP69Uub0LWDk8jqoqNbf1am7vXWNonfVgpi/s1600/CLIP.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinUL2RTZJVzlLQD5yWdE_jqr60z632bqRu_t3tEmlGIV0HKXC-NBHFpLJ6SsF1zb4pvJynul7m3mvuOgJod6ypAuSYnPohi3xET0kmL-FBsUP69Uub0LWDk8jqoqNbf1am7vXWNonfVgpi/s320/CLIP.jpg" width="320" /></a></div>
<div class="MsoBodyText">
<span lang="EN-US" style="mso-ansi-language: EN-US;">At the same time, the most prominent Serbian pop rock lyricist Marina
Tucaković was also making folk parodies while living on the safe side of
avant-garde pop band she was a part of. Marina and Rambo were probably counting
on the idea that, in the still-socialist Yugoslav 1980s, they had an educated
urban audience that would understand those obvious examples of camp, of playful
postmodernist approach towards the kitschy substance of folk they actually despised. </span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="mso-ansi-language: EN-US;">But free
market has no understanding for subtle aesthetical questions, although it is
very good in irony. The 1990s came, the society in the Balkans became confusing,
and Marina Tucaković and Rambo Amadeus soon became known as the mother and
father of turbo-folk: they wrote some of the biggest hits of the genre and
collaborated with numerous folk stars who sold hundreds of thousands of their
silly folk songs that mixed completely foolish lyrics with oriental melodies, disco,
techno and funky. Evergreen music, traditional folk, pop and rock, all saw
their demise from once dominant, promoted and respected genres. So in order to
make money, other disappointed rockers followed Amadeus and Tucaković examples,
taking the turbo-folk extravagance to an unimaginable degree. It was life
during wartime and everything could be sold: heavy metal riffs in the middle of
an otherwise typical Balkan-style folk song about love; hip-hop and accordion; euro-dance
groove under the scenes of rural life; AC/DC introduction to “Thunderstruck”
slightly deformed to fit the recognizable melodic decorations of the traditional
Balkan singing… Music videos were filled with bright colors, eroticism of all
sorts, fires, horses and tigers, expensive cars and expressionist-style shots…
(Well, you’ve seen the videos of Rihanna, 50 Cent, Beyonce, Lady Gaga, Britney
Spears, Shakira… Imagine a cheap, low-fi version of it, and you’ll get the
picture.) One of the prominent Belgrade costume designer said she would put a
typical homosexual iconography in a video just to see where is the line she would
be warned not to overstep – there wasn't any. These guys were buying everything
and had no criteria – as long as it is colorful.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorX8a5qHgawFCeAvEd_LOmImXeVEOsDeh-j5BmW3GViJowchvJWl8S4ReucStEtWpB5ZGZ_UkcOp27dOwNpg-8IeZHl_QGPmD_uwvi6KYoMN9GGEXHNqXIijBkUg209hKtxAhRHjDSjaX/s1600/1_e_Maja-Milo%25C5%25A1-_Clip-Klip-e1337058948209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorX8a5qHgawFCeAvEd_LOmImXeVEOsDeh-j5BmW3GViJowchvJWl8S4ReucStEtWpB5ZGZ_UkcOp27dOwNpg-8IeZHl_QGPmD_uwvi6KYoMN9GGEXHNqXIijBkUg209hKtxAhRHjDSjaX/s320/1_e_Maja-Milo%25C5%25A1-_Clip-Klip-e1337058948209.jpg" width="320" /></a></div>
<div class="MsoBodyText">
<span lang="EN-US" style="mso-ansi-language: EN-US;">To this
day, not much has changed in terms of style. But the two things did evolve: the
economic impact of turbo folk and the attitude of cultural elites towards it. Nowadays,
turbo folk is probably the best Serbian exported good, it is popular in all
ex-Yugoslav states, as well as in Bulgaria and Albania – who all, of course,
besides Serbian, have their own turbo folk stars. Performers earn a lot of
money by touring not only Balkan states, but singing at the discotheques for
the Balkan immigrants in Western Europe, USA, Canada and Australia. There is a
TV-channel that plays exclusively turbo folk videos (of course, it has ‘Balkan’
in its name). Turbo folk CDs and DVDs are sold on every gas-station from Slovenia
to Greece and Turkey. It connects Balkan nations extremely well, in spite of
the fact that most of them have a strong nationalist sentiment and officially
don't like each other. An although an article on the phenomena you’ll find on
Wikipedia is basically right when it describes the right-wing and left-wing
critique of the genre, it seems that many Balkan leftist today defend turbo
folk for the same reason conservatives attack it. There is an emerging leftist
theoretical scene that sees turbo folk as grass root style and emphasizes its
subversive sides: attack on patriarchal values, support for independent women, anarchic
hedonist desires, sexually liberal views (including LGBT themes and characters
in songs and videos)… On the other hand, it is still a type of the mass culture
<i style="mso-bidi-font-style: normal;">par excellence</i> and, therefore, very
often the proponent of the dominant patriarchal and capitalist ideology, only
sometimes covered in ‘liberal’ sheets. </span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Because
this ambivalence is at the core of turbo folk, the fact that main characters of
Maja Miloš' film are so deeply involved with it makes their complete social <i style="mso-bidi-font-style: normal;">habitus </i>raise ethical and political
questions that are not easy to answer. Are these kids the victims or are they a
part of the problem? Do they accept or challenge the dominant ideology, and in
what way? And if the bourgeois filmmakers also listen to turbo folk and embrace
some of its values, why do they put the moralistic blame on working class? Yet,
one thing is doubtless: these questions are relevant for the Balkans as they
are relevant to any other place where you are inclined to think of the impact dominant
values of the society and its mass culture have on adolescents. </span><br />
<br />
<div style="text-align: right;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Ivan Velisavljević </span></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/CI0VpsNTJko/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/CI0VpsNTJko?feature=player_embedded" width="320"></iframe></div>
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</div>
Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com1tag:blogger.com,1999:blog-1352297212880548959.post-37419205227798733652015-02-28T04:39:00.002-08:002015-02-28T06:03:58.553-08:00FEST 2015: ŠTA VELISAVLJEVIĆ PREPORUČUJE NA NEVIĐENO?<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="color: orange;">Velisavljević Ivan poznat je kao doktor za rezime. Uža specijalnost: zapisnik, izveštaj, putopis.</span><br />
<span style="color: orange;">U ovom trenutku o sebi priča u trećem licu. </span><br />
<span style="color: orange;">Pošto je uveren da se ne možete snaći u programu beogradskog FEST-a, rezimiraće vam programske celine i preporučiti filmove koje uglavnom nije gledao, osim ako su snimljeni pre 50 i više godina.</span><br />
<br />
<span style="color: orange;">Ovdena možete skinuti program u pedefu, da vidite kad je šta i gde: <a href="http://fest.rs/upload/document/program_fest_2015_v3.pdf">Raspored filmova FEST-<span style="color: orange;">a</span></a> </span><br />
<span style="color: orange;">Dolena kad kliknete na naziv filma otićete pravo u sajt FEST-a gde su detaljni opisi i hronotop projekcije, da ne kažem piše gde i u kolko sati puštaju film.</span><br />
<span style="color: orange;"><br /></span>
<span style="color: orange;">Znači, rezime, nema dalje.</span><br />
<br />
<span style="color: blue;"><b>Panorama </b></span><br />
<a href="http://fest.rs/Filmovi/1457/I-dalje-Alis.shtml">JOŠ UVEK ALIS / STILL ALICE</a>, zbog glume (zašto Ameri glume invalide);<br />
<a href="http://fest.rs/Filmovi/1511/Nocne-hronike.shtml">NOĆNE HRONIKE / NIGHTCRAWLER</a>, zbog priče (krađa, snimak, ucena);<br />
<a href="http://fest.rs/Filmovi/1464/Ritam-ludila.shtml">RITAM LUDILA / WHIPLASH</a>, zbog muzike (lupa bubanj, Umka, Zvečka);<br />
<br />
<span style="color: blue;"><b>Glavni van konkurencije </b></span><br />
<a href="http://fest.rs/Filmovi/1492/Covek-ptica.shtml">ČOVEK PTICA / BIRDMAN</a>, zbog snimatelja (Lubezki voli odjednom);<br />
<a href="http://fest.rs/Filmovi/1526/Dzimijeva-dvorana.shtml">DŽIMIJEVA DVORANA</a>, zbog režisera (Ken Louch voli radničku klasu); <br />
<div>
<span style="color: blue;"><br /></span>
<span style="color: blue;"><b>Glavni takmičarski </b></span></div>
<div>
<a href="http://fest.rs/Filmovi/1514/Feniks.shtml">PHOENIX / FENIKS</a>, zbog motiva (logor, lice, Nemci glume invalide);<br />
<a href="http://fest.rs/Filmovi/1454/Predsednik.shtml">PREDSEDNIK</a>, zbog teme (premijer, pardon, predsednik uzurpiro vlast);<br />
<a href="http://fest.rs/Filmovi/1525/Neshvacena.shtml">NESHVAĆENA / INCOMPRESA</a>, zbog rediteljke (slika sa sisama vredi hiljadu reči);<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil_NxCZOGoD4j29EP-4n14bYfPaRxrljc3xJb8lRTjW7O2T8TmQbinG4DYGZNvPn13lE_EoqkDO8GnYx3UbwwHq38gBQmZquc0vkhxNtY-ZUvm8txZPsOI6SC57X0C6OrLTBqNnJd94xsp/s1600/Asia_Argento_02.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil_NxCZOGoD4j29EP-4n14bYfPaRxrljc3xJb8lRTjW7O2T8TmQbinG4DYGZNvPn13lE_EoqkDO8GnYx3UbwwHq38gBQmZquc0vkhxNtY-ZUvm8txZPsOI6SC57X0C6OrLTBqNnJd94xsp/s1600/Asia_Argento_02.jpg" height="320" width="246" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Asia Argento, neshvaćena rediteljka</td></tr>
</tbody></table>
<span style="color: blue;"><b>Horizonti</b></span></div>
<div>
<a href="http://fest.rs/Filmovi/1513/Pazolini.shtml">PAZOLINI</a>, zbog Pazolinija (marksista, katolik i homoseksualac, to se traži); </div>
<div>
<br />
<span style="color: blue;"><b>Thrills and kills</b></span></div>
<div>
<a href="http://fest.rs/Filmovi/1443/Plava-ruina.shtml">BLUE RUIN / PLAVA RUINA</a>, zbog stila (ubi čoveka, reč nije reko);<br />
<a href="http://fest.rs/Filmovi/1448/Tezak-dan.shtml">A HARD DAY / TEŽAK DAN</a>, zbog saspensa (napeto, ne seci nokte);</div>
<div>
<br />
<span style="color: blue;"><b>Granice (<a href="http://fest.rs/Fest-2015/211/Granice.shtml">ovde</a>) i Microwave (<a href="http://fest.rs/Fest-2015/212/Microwave.shtml">ovde</a>)</b></span></div>
<div>
Celokupni program, zbog koncepta (ma garaža neka, snimamo se i cepamo);</div>
<div>
<br />
<span style="color: blue;"><b>Srpski film (<a href="http://fest.rs/Fest-2015/207/Srpski-film.shtml">ovde</a>)</b></span></div>
<div>
Sve, zbog našeg naroda, jer što bi reko naš narod: kupujmo domaće (čarape i gaće);</div>
<div>
<br />
<span style="color: blue;"><b>Omaž Mileni Dravić</b></span></div>
<div>
<a href="http://fest.rs/Filmovi/2047/DEVOJKA.shtml">DEVOJKA</a>, zbog Milene i Puriše, i <a href="http://fest.rs/Filmovi/1559/COVEK-NIJE-TICA.shtml">ČOVEK NIJE TICA</a>, zbog Makavejeva i Milene (dok je bilo Tita bilo je i filma, a neki ljudi su još tu);</div>
<br />
<span style="color: blue;"><b>Specijalne projekcije</b></span><br />
<a href="http://fest.rs/Filmovi/2052/OTAC-NA-SLUZBENOM-PUTU.shtml">OTAC NA SLUŽBENOM PUTU</a>, zato što se za <a href="http://www.academia.edu/1432516/Futur_ant%C3%A9rieur_of_Yugoslav_cinema_or_Why_Emir_Kusturicas_legacy_is_worth_fighting_for">Kusturičino nasleđe vredi boriti protiv njega samog</a>.<br />
<br />
<span style="color: orange;">Dolena je i Velisavljevićev raspored za prijatelje i uhode, da znaju šta će gledati, kuda se kreće, i uopšte, ko će kome da izađe u susret. WikiLeaksa vam javlja.</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1IzWHOCUFrdzWnzVnbDuLrKzFdcSgjK-1J0kfGoeCUFkzGg-FIVI3VUqcyOagpuowRBWNSA7r27j-Vr3N0OU2WKzUwClzSp4WpfIU30NV-Q0SmMbnpjdGSv0F7J9GdrlJvOzKmn4RWJdT/s1600/fest+raspored.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1IzWHOCUFrdzWnzVnbDuLrKzFdcSgjK-1J0kfGoeCUFkzGg-FIVI3VUqcyOagpuowRBWNSA7r27j-Vr3N0OU2WKzUwClzSp4WpfIU30NV-Q0SmMbnpjdGSv0F7J9GdrlJvOzKmn4RWJdT/s1600/fest+raspored.jpg" height="228" width="400" /></a></div>
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-13690841442272631802013-04-20T05:11:00.000-07:002013-04-20T08:55:38.882-07:00REČI U VEČNOSTI<div dir="ltr" style="text-align: left;" trbidi="on">
Članovi Satibare ubačeni su svuda... Mnogi čitaoci našeg bloga nisu ni svesni da je trenutno najveći jugoslovenski glumac, Siniša Jelovac, takođe i zdravstveni radnik. Pošto je u izjavi za TV Pančevo davno naglasio kako Satibara nastavlja svetlu tradiciju partizanske borbe, tzv. NOB-a, poslao je kratak zapis o tome, sliku poetizovane stvarnosti kakva nam nedostaje. Evo tog pisma...<br />
<br />
<span style="color: #ffd966;">na balkonu doma zdravlja mnogi od nas provode polusatnu pauzu. i lekari i mi tehničari i sav živalj... otkad su počeli iznimno sunčani dani, sve su učestalije sedeljke gore, na terasi, na vrhu ove ustanove zdravstvene.</span><br />
<span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">lekarke sede oko stola okružene suncem, ponekad sednem sa njima, a češće šetam ili pričam sa čistačicama ili, već, samo ubijam pauzu.</span><br />
<span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">i tako bacih pogled ka ulici, prometnoj, gde gradska vreva svoj pos'o radi. jednom, dvaput pogledah, i već sam u dilemi. s druge strane ulice ima neki spomenik, nekako jako blizu vreve, aktuelnog sveta, a sa druge strane, odbačen, sakriven. ko bi to mogao biti? možda mihajlo pupin, znam da su lenjinov bulevar tako nazvali? hm, mora da je on, pomislih.</span><br />
<span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">i prođe dan, dva, zaboravih, uvek pogrešnom stranom semafora krenem.</span><br />
<span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">ali danas ne pogreših. uputih se. pređoh preko zelene trave i videh istinu.</span><br />
<span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">istinu koju niko ne gleda. istinu koja postoji a ne vidi se. onu koja brižljivo i bojažljivo spava iznad svih snova ovdašnjih ljudi. njihovih organa i njihovih disajnih puteva koje u skladu sa hipotalamusom čine sistem. i sa još mnogim karikama čine postojanje. trajanje. </span><br />
<span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">ali ne i večnost.</span><br />
<span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">večnost je nedokučiva za trajanje.</span><span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">mnoge su stvari tihe.</span><span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">i reči su tihe.</span><span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">dve reči:</span><span style="color: #ffd966;"><br /></span><span style="color: #ffd966;">marko orešković.</span><br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com1tag:blogger.com,1999:blog-1352297212880548959.post-24641305758326441282013-04-05T08:37:00.000-07:002013-04-05T08:54:56.515-07:00Boris Buden on "Black Film": Film Art and Social Change<div dir="ltr" style="text-align: left;" trbidi="on">
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"The next day on the streets of Novi Sad he (Žilnik) used his camera to enquire about how to solve the problem of homeless people in the city. Neither the passers-by nor the officials have an answer to this question. The filmmaker himself doesn’t have it either, for ‘these stinky people’, as he calls them in the film, cannot stay in his flat forever. So, finally, after telling them that no solution to this problem has been found and that he is running out of tape, Žilnik asks those people to leave his home.<br />
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Again: what is black in this ‘Black Film’? The reality it depicts? The failure of communists to solve social problems? The notorious gap between a utopian promise and reality? No! It is the film itself, the very idea of art, especially film art, claiming power to change social reality – this is what is really black in Black Film. In fact it begins with the author saying to the camera: ‘I used to make these films two years ago, but such people [the homeless –B.B.] are still here.’ The film is a radically honest self-reflexive critique of the idea and practice of so-called socially engaged cinema. Žilnik openly considers Black Film being his own tomb. In a manifesto published on the occasion of the 1971 film festival where the film premiered, he calls the whole festival a ‘graveyard’. ‘Black’ here refers to the ‘misery of an abstract humanism’ and of the ‘socially engaged film that has become a ruling fashion in our bourgeois cinematography’; it refers to its false avant-gardism, social demagogy and left-wing phraseology; to its abuse of a socially declassed people for the purposes of film; to the filmmakers’ exploitation of social misery, etc. But, what is even more important, ‘black’ doesn’t refer at all to a ‘lack of freedom’, which is usually presented from today’s postcommunist perspective as the worst ‘blackness’ of the communist past. In the 1971 manifesto Žilnik explicitly states: ‘They left us our freedom, we were liberated, but ineffective.’ ‘Black’ refers to a chasm that no freedom can bridge, a chasm that will survive the fall of communism.<br />
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For Žilnik a film, and in a broader sense culture, however liberated from totalitarian oppression, will never provide a remedy for social misery. For him the emancipatory promise of culture is a bluff. In his mocking the authors of the socially engaged films from 1971 who search ‘for the most picturesque wretch that is prepared to convincingly suffer’, he already makes fun of the liberal inclusivism that twenty years later will impose its normative dogmatism on the cultural producers of the new (and old) democracies. We know that picture very well: one discovers somewhere on the fringes of society the victims of exclusion, those poor subaltern creatures with no face and no voice. But luckily there is an artist around to help them show their faces and make their voices heard. How nice: what bad society has excluded, good art can include again. For, as one believes, what has been socially marginalised can always be made culturally central, that is, brought to light – to the transparency of the public sphere – from the dark fringes of society. The rest is a democratic routine: a<br />
benevolent civil society, sympathetic to the suffering of the poor and excluded, makes a political case of the social darkness; and as soon the party politics is involved, a political solution searched for and finally found, a low is changed, a democracy is reborn, now more inclusive than ever before."<br />
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<span style="color: #ffd966;">Boris Buden, "Shoot it Black! An Introduction to Želimir Žilnik" </span><br />
<span style="color: #ffd966;">(Afterall, journal No. 25, autumn/winter 2010)</span><br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-49315358904802507462013-03-07T04:04:00.001-08:002013-04-05T08:48:19.040-07:00Proces pravljenja filma: Levi vs. Žilnik<div dir="ltr" style="text-align: left;" trbidi="on">
Iako je Satibara praksom otišla dalje u razvoju ideje "labilnog filma" i ideološke važnosti procesa snimanja, ovaj pasus o Žilniku iz knjige Pavla Levija "Raspad Jugoslavije na filmu" i te kako je relevantan za poetiku Satibare:<br />
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<span style="color: #ffd966;">"Film tematizuje upravo onu konceptualnu i strukturalnu dinamiku koja leži u osnovi Žilnikovog autorskog metoda, a koja se tiče težnje da se proces pravljenja filma, kao i sam filmski aparat, u potpunosti izjednače sa sferom prvostepene drištvene proizvodnje. U duhu Marksove jedanaeste Teze o Fojerbahu ("Filozofi su do sada interpretirali svet na različite načine; vreme je da ga se izmeni"), za Žilnikovu kinematografiju može se reći da doseže s onu stranu - ili, još bolje, ispod - nivoa audio-vizuelne reprezentacije: njen primarni značaj leži u samoj proizvodnoj delatnosti, preciznije, u radu i radnim odnosima od kojih se sastoji pravljenje jednog filma, a kojima Žilnik prostupa kao sebi dovoljnima, direktnim oblicima društvene intervencije. Za ovu vrstu kinematografije, čin snimanja u najmanju je ruku podjednako važan kao i (završen, kompletiran) film. Lišena statusa privilegovane kreativne delatnosti, filmska praksa je na taj način demistifikovana, a po učinku i značaju izjednačena s bilo kojom drugom vrstom rada. slično radikalnom političkom projektu čiju su realizaciju na sebe preuzeli protagonisti <i>Ranih radova</i>, na Žilnikove filmske projekte može se gledati kao na fragmente jedne hronike u nastajanju, koju za sobom ostavlja grupa radnika - reditelj, snimatelj, tonac, glumci - a koja oslikava njihovu ideološku svest i praktične napore da kvalitatitno utiču na različite tokove društveno-kulturne proizvodnje. Reč je, dakle, o filmovima koji dokumentuju vlastito nastajanje u procesima kolektivnog angažmana na planu 'čovekove smislene aktivnosti'."</span><br />
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(Pavle Levi, <i>Raspad Jugoslavije na filmu</i>, Beograd: XX vek, 2009, str. 56-57)<br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-64825634695549255972013-02-25T12:50:00.001-08:002013-02-25T20:40:07.810-08:00Dadaističko-nadrealistička ekspedicija u zvaničnoj poseti Beogradu<div dir="ltr" style="text-align: left;" trbidi="on">
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Visoki predstavnici Dadaističko-nadrealističke ekspedicije bili su u nedelju 23 februara u zvaničnoj jednodnevnoj poseti prestonici Srbije Beogradu. Među članovima visoke delegacije prisutni su bili i istaknuti pregaoci Satibara filma.<br />
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Prema planu i protokolu visoki predstavnici Ekspedicije obišli su više znamenitih mesta među kojima je u centru pažnje bila poseta Kući cveća i poklanjanje nad grobom Josipa Broza Tita, istaknutog revolucionara i državnika.<br />
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Tokom obilaska grada predstavnici Ekspedicije imali su i više bilateralnih susreta sa članovima ustanova koje su obišli, a u neformalnom delu i odvojeni susret, na večeri, sa uglednim beogradskim novinarem Zlatićem i njegovom lepšom polovinom.<br />
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<b>Satnica i protokol:</b><br />
<b><br /></b> 12.00 – 12.30 Kratka poseta hotelu "Beograd" nadomak železničke stanice i ispijanje kafe i kisele vode<br />
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12.40 – 14.20 Poseta Kući Cveća i grobu Josipa Broza Tita. Obilazak memorijalnog centra i Muzeja istorije Jugoslavije<br />
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14.40 – 15.00 Obilazak Stadiona Jugoslovenske narodne armije, sada stadiona fudbalske i drugih sekcija Jugoslovenskog sportskog društva Partizan<br />
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15.30 – 16.10 Obilazak Stadiona fudbalskog kluba Crvena Zvezda koji pripadnici te sekcije koriste zajedno sa drugim u okviru Sportskog društva Crvena Zvezda<br />
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17.00 – 18.00 Šetnja centralnom beogradskom Knez Mihailovom ulicom. Razgledanje izloga i kratki razgovori sa prisutnim građanima<br />
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<b>Van protokola:</b><br />
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18.15 – 20.00 U restoranu Zavičaj održan je neformalni susret sa uglednim beogradskim novinarem Zlatićem i njegovom lepšom polovinom, na večeri uz prijatnu muziku i piće. Na meniju je bio krompir iz ovčarsko-kablarske klisure, iz mesta Pilatovići, i kiseli kupus sa planine Rudnik. Za aperitiv se služila rakija šljivovica iz Užica, a nakon obeda je točeno domaće pivo iz okoline Zaječara kao i domaći sokovi sa juga Srbije, iz Leskovačkog kraja.<br />
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20.15 Visoka delegacija Dadaističko Nadrealističke ekspedicije napušta Beograd.</div>
ОУР САТИБАРАhttp://www.blogger.com/profile/17764191561595688982noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-90264333552590885412013-02-23T23:47:00.000-08:002013-02-25T13:00:30.542-08:00ČETIRI FILMA U JEDNOM KADRU // 4 ONE-TAKE MOVIES<div dir="ltr" style="text-align: left;" trbidi="on">
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Inspirisani zagrebačkim One Take Filmom, festivalom filmova koji imaju samo jedan kadar, odlučili smo da, u raznim podelama uloga, snimimo jedno pet-šest igranih filmova iz jednog kadra. Šta je to za nas, mi smo iskusni filmaši, Fasbinder i Takaši Mike naši su idoli, osim što nas veoma nervira profesionalno prenemaganje oko snimanja filma - potroše tri godine i gomilu para i na kraju snime govno. Mi za sranja bolja od njihovih trošimo mnogo manje.<br />
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Uglavnom, na kraju smo snimili četiri filma, potpuno sigurni da ćemo u Zagreb ići svi, da će nas pozvati kao super zanimljivu nezavisnu produkciju koja je ispoštovala festival i poslala čak četiri izuzetna filma. Avaj, Zagrepčani su izdali punk i primili samo jedan film u zvaničnu selekciju. <br />
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Nisu shvatili upečatljivu atmosferu filma Marine Radmilac <span style="color: blue;">ONI TAKO MRTVI ŽIVE GODINAMA</span> i njegovu egzistencijalističku ambivalentnost - ali je taj film bio dobar čuvenom Beli Taru, koji je Marinu, na osnovu tog filma, izabrao za predstavnika Satibare na prestižnim doktorskim studijama škole Film Factory u Sarajevu. Posle su nam rekli da taj film možda nema zadovoljavajuć kraj, ali kome treba kraj i takvo nekakvo formalističko zakeranje pored onakve atmosfere i stila kadriranja i mizanscena? Beli Taru sigurno ne.<br />
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Elem, nisu Zagrepčani vrhunskim ocenili ni fotografski kolorit jarkih boja i erotski naboj u <span style="color: blue;">NADAM SE DA ĆU OTIĆI NA VREME</span> Radomirke Siljanoski, niti su si dali truda da prepoznaju fine mitološke, literarne i filmske asocijacije na temu Medeje u filmu <span style="color: blue;">MEDEJA. DORUČAK</span> Ivana Velisavljevića, koji poznatom romanu Kriste Volf <i>Medeja.Glasovi </i>duguje koliko i <i>Medeji </i>Larsa fon Trira.<br />
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Sva sreća, u Zagreb je otišao <span style="color: blue;">FLERT</span> Marije Rodić, zamalo ljubavna priča o vegetarijanskom flertovanju, koja se odigrava na pijaci (inače omiljenoj Satibarinoj lokaciji, na kojoj je sniman i prvi film naše produkcije LUTKE ZA DORUČAK). FLERT je odveo naše drugare iz produkcije MikroArt Mariju Rodić i Radomira Lazovića Miku, i Satibarinog alfu i omegu Sinišu Dugonjića, na pijančenje i zajebanciju u Zagreb, dok su ostali kratkih rukava ostali.<br />
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Tu nam je postalo jasno da na festivalu koji se bavi formom, koji zahteva jedan ekstremni napor snimanja svega u jednom kadru, selekcija ne voli stilske eksperimente i hermetizam nego hoće priču, ko i svaki pošten čovek od zadruge do udruge. A nama je priče malo preko glave.<br />
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E, sad kad smo iznapadali One Take Festival u Zagrebu što nije odvojio deo iz budžeta da odemo u omiljeni grad i tamo se sprdamo od Medike do Sirupa, okačićemo i sve ove naše filmove online da ih lepo mogu svi pogledati. Kultura ionako treba da bude besplatna a umetnici da rade za revoluciju i radničko-seljačku klasu, ne za basnoslovne honorare od poreza!<br />
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<b><span style="color: blue;">FLERT / FLIRTING</span></b><br />
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<span style="color: #ffd966;">Glavne uloge: Dobrica Veselinović i Dragana Đukić</span><br />
<span style="color: #ffd966;">Režija / Directed by: Marija Rodić</span><br />
<span style="color: #ffd966;">Scenario / Screenplay by: Radomir Lazović, Marija Rodić</span><br />
<span style="color: #ffd966;">Kamera / Camera: Siniša Dugonjić</span><br />
<span style="color: #ffd966;">Trajanje: 10 minuta</span><br />
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Ova romantična drama priča je o dvoje mladih ljudi (Dobrica Veselinović i Dragana Đukić) koji, nakon slučajnog susreta na pijaci, započinju flert. U igri zavođenja oni gotovo sasvim zaboravljaju život i stvarnost koji ih okružuju i koriste priliku da se predstave jedno drugom u što boljem svetlu.<br />
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One shot film about two young people (Dobrica Veselinović and Dragana Đukić) who start flirting after an accidental encounter on a green market. In their game of seduction they completely forget about the life and reality that surround them and use the opportunity to present themselves in the best light possible.<br />
In metropolis like Belgrade, people rarely meet, especially in the market. Also, lonely people feel the need to be someone else. Someone who everyone likes.<br />
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Marija Rodić je prošlogodišnja pobednica na Femix festu sa filmom „Skidanje“. <br />
Završila je master studije Opšte književnosti i teorije književnosti u Beogradu, kao i trogodišnju psihoterapeutsku školu kliringa Dijada. Pohađala je školu filma Fokus i kurs filmske režije u Akademskom filmskom centru u Beogradu. Učestvovala je na radionicama stop trik animacije i pozorišta senki. <br />
Nagrađena je za film „Zlatni delišes“ na Voyage Bleu festivalu 2010. Dobitnica je Posebne pohvale žirija na festivalu Filmski front za filmove „Govor“ i „Zlatni delišes“ 2011.<br />
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Produkcija Mikro Art i Satibara<br />
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/55861842" webkitallowfullscreen="" width="500"></iframe> <br />
<a href="http://vimeo.com/55861842">Flert (Flirting)</a> from <a href="http://vimeo.com/marijarodic">Marija Rodic</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
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<b><span style="color: blue;">NADAM SE DA ĆU OTIĆI NA VREME // HOPEFULLY I'LL LEAVE ON TIME</span></b><br />
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<span style="color: #ffe599;">Glavna uloga, režija i scenario / Directed, written and performed by: </span><br />
<span style="color: #ffe599;">Radomirka Siljanoski</span><br />
<span style="color: #ffe599;">Kamera, zvuk, montaža / Sound, camera, editing: </span><br />
<span style="color: #ffe599;">Siniša Dugonjić</span><br />
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Složili smo se. Ovaj film stvarno ima svoju volju.</div>
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Pobedio je sva naša naklapanja i predumišljaja.<br />
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Neko rece:<br />
- Hajde da uradimo "one take" movie... i posaljemo na ga Zagrebački Festival!<br />
Da pustimo neku traku!<br />
I u jednom momentu, iz jedne fotografije, razvila se ideja.<br />
Kao i u završnoj verziji, ona se sprema za izlazak u grad.<br />
Na pocetku je vizuelno nagoveštena neuravnoteženost, koja ce se kroz konstrukciju i dekonstrukciju završiti u krajnjem samoponištavanju.<br />
...u agoniji i patnji. (Nismo baš sigurni da li su ovde letnje žege i vrućinštine krive za to).<br />
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Trebalo je sačekati par dana da bi se oglasio treći glas nakon čega nas je prostrelila misao:<br />
- Ne zelim da iko pomisli da je ona (junakinja) luda!<br />
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Zastali smo još jednom da ozbiljno razmotrimo i pojasnimo novonastale smerove i dešavanja,<br />
i doneli zaključak da želimo samo jednu, sasvim uobičajenu priču, u kojoj se konflikti razvijaju... ili rešavaju.<br />
Već tada nam je bilo sasvim jasno da nas je film vrbovao i uhvatio u svoju mrežu.<br />
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<span style="color: #3333ff; font-weight: bold;"> (Nedelju dana kasnije...) </span>Dok sam neočešljana jurila ka autobuskoj stanici, setih se svoje čudne boljke - kašnjenja...<br />
Retko kada bih primetila da kad neko kasni, neko mora i da ga čeka... i onda poceh da snevam, pa i buncam...<br />
Čekanje? Vreme? Raskorak izmedju onih koji nas cekaju i onih kojima smo dozvolili da ih čekamo...<br />
<i>...vredi li...?</i><i>Ostati u prošlosti suočeni sa zovom budućnosti...</i><i>Kako prekoračiti emotivnoiscrpljujuću sadašnjost? Slučajni pozivi?</i><i>Slucajnost kao takva? Sihronicitet...</i><i>? Zasto je uopšte bitno otići na vreme? ...i sta sad...? </i>Zaokružiti... Ne proširivati...<br />
Otići sa osmehom i sigurnošću da smo uradili baš ono što treba. I prepoznati da nas cigle nisu zatrpale za vo vjek i vjekov!<br />
Tako da nam je neimarstvo jos uvek u grudima i rukama!<br />
Da možemo otpočeti zidanje jos lepše, zdravije zgrade, sa novom snagom!<br />
Ah, ta divna teorija....Treba trenirati. Jednom cemo uspeti...<br />
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<span style="color: #3333ff; font-weight: bold;">Sve ove dileme su postale stozer filma...</span>Pored svega gore navedenog nastojali smo da u filmu nađemo mesta sledećim detaljima - merdevinama (koje u visine vode), šeširu (ispod koga se mnoge tajne kriju), majmuncetu (ko ga uoči dobija nagradu), crvenom pojasu (koji strast ne obuzdava), rukavicama, dalmatinac-prekrivacu, ogledalima, lepršavim zavesama, lavezu pasa, flaši i caši vina kao nužnom pratiocu nase poetike... ili patetike...<br />
Mada, na kraju ipak nismo sigurni šta je starije - priča ili detalj...<br />
...ton... kamera... klapa... ma gotovo je!<br />
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Terapeutsko dejstvo filma su primetili moji prijatelji- vise ne kasnim.<br />
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Animus i Anima<br />
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/58960026" webkitallowfullscreen="" width="500"></iframe><br />
<a href="http://vimeo.com/58960026">Nadam se da cu otići na vreme</a> from <a href="http://vimeo.com/user2023454">sinisa dugonjic</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
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<b><span style="color: blue;">ONI TAKO MRTVI ŽIVE GODINAMA // LONG DEAD THEY KEEP ON LIVING</span></b><br />
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<span style="color: #ffd966;">Režija / Directed by: Marina Radmilac</span><br />
<span style="color: #ffd966;">Scenario / Screenplay by: Marina Radmilac i Denis Mikan</span><br />
<span style="color: #ffd966;">Kamera: / Camera: Siniša Dugonjić</span><br />
<span style="color: #ffd966;">Zvuk i montaža / Sound and editing: Ana Toader</span><br />
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</span><span style="color: #ffd966;">Uloge / Cast:</span><br />
<span style="color: #ffd966;">Marina Radmilac</span><br />
<span style="color: #ffd966;">Margita Vasiljević</span><br />
<span style="color: #ffd966;">Isidor Rudnički Nešković</span><br />
<span style="color: #ffd966;">Ivan Velisavljević</span><br />
<span style="color: #ffd966;">Nikola Vasiljević</span><br />
<span style="color: #ffd966;">Ben Tziporin</span><br />
<span style="color: #ffd966;">Konstantin Vasiljević</span><br />
<span style="color: #ffd966;">Jelena Vasiljević</span><br />
<span style="color: #ffd966;">Vladimir Novosel</span><br />
<span style="color: #ffd966;">Marija Vukojević</span><br />
<span style="color: #ffd966;">Valentina Kovač</span><br />
<span style="color: #ffd966;">Dragan Simeunović</span><br />
<span style="color: #ffd966;">Dušan Vesić</span><br />
<span style="color: #ffd966;">Siniša Jelovac</span><br />
<span style="color: #ffd966;">Kristina Mlađenović</span><br />
<span style="color: #ffd966;">Ivana Stević Marček</span><br />
<span style="color: #ffd966;">Jayson lei Furnevill</span><br />
<span style="color: #ffd966;">Milan Bajka Lepović</span><br />
<span style="color: #ffd966;">Saša Tomić</span><br />
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One camera, one microphone, one take, one women, one story, one end, one life, one love.<br />
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/58456302" webkitallowfullscreen="" width="500"></iframe> <br />
<a href="http://vimeo.com/58456302">Long dead they keep on living - Oni tako mrtvi žive godinama</a> from <a href="http://vimeo.com/user2023454">sinisa dugonjic</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
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<b><span style="color: blue;">MEDEJA. DORUČAK // MEDEA. BREAKFAST</span></b><br />
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Medeja, čarobnica, lik iz grčke mitologije, postala je poznata kao čedomorka. Film prikazuje deset presudnih minuta u životu Medeje, dok sprema svojoj deci doručak.<br />
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Medea, enchantress, a character from the classical Greek mythology, is known for her filicide, although other versions without her killing her children also exist. The film shows ten minutes in the life of MEdea, while she makes breakfast for her children.<br />
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<span style="color: #ffd966;">Uloge / Cast: Jelena Vidović Vasiljević i Siniša Jelovac</span><br />
<span style="color: #ffd966;">Scenario i režija / Written and directed by: Ivan Velisavljević</span><br />
<span style="color: #ffd966;">Ton, kamera, montaža / Sound, camera, editing: Siniša Dugonjić</span><br />
<span style="color: #ffd966;">Scenografija, kostim i šminka / Set design, costume, make-up: Marina Radmilac</span><br />
<span style="color: #ffd966;">Music: "Medea" by Iannis Xenakis</span><br />
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/58498807" webkitallowfullscreen="" width="500"></iframe> <br />
<a href="http://vimeo.com/58498807">Medejin doručak</a> from <a href="http://vimeo.com/user2023454">sinisa dugonjic</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-53569836808424907712012-12-11T04:00:00.001-08:002012-12-11T04:00:19.578-08:00sickSoul - "Nema izlaza"<div dir="ltr" style="text-align: left;" trbidi="on">
Početkom oktobra snimali smo video spot za rap-core-fusion sastav sickSoul, vladimiračko-šabački bend koji će uskoro objaviti prvi album. Spot je sniman u Vladilendu (zastarelo ime tog mesta glasi 'Vladimirci'), sedamdesetak kilometara od Beograda ka jugozapadu. Skupila se ekipa omladinaca, orna za saradnju, i na delu pokazala solidarnost, ozbiljnost i energiju. Obratite pažnju na ovaj mladi sastav, nove nade srpskog repa.<br /><br />Režija, kamera i montaža: Ivan Velisavljević i Siniša Dugonjić.<br />
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Here's our new video, made for the Serbian rap core band sickSoul and their new single "No Exit". Debut album is coming out soon, so check out these new hip-hop voices from the Balkans. <br /><br />Directed, shot and edited by Ivan Velisavljević and Siniša Dugonjić.<br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-71660725743355794602012-11-24T10:42:00.002-08:002012-11-24T12:48:04.828-08:00ANACOUSTIC ZONE<div dir="ltr" style="text-align: left;" trbidi="on">
Three immigrants roam in the tunnels under the highway in San Diego, followed by Jean Baudrillard's meditations on America, with musique concrete in the background.<br />
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Tri emigranta lutaju kroz tunel ispod autoputa u San Dijegu, praćeni meditacijama Žana Bodrijara na temu Amerike i konkretnom muzikom benda Cricketant.<br />
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Festivali: Alternative Film and Video Beograd<br />
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<span style="color: #ffd966;">Produced by: Milan Milosavljević</span><br />
<span style="color: #ffd966;">Directed and edited by: Walter Weiss</span><br />
<span style="color: #ffd966;">Assistant editor: Milan Milosavljević</span><br />
<span style="color: #ffd966;">Screenplay: Jean Baudrillard</span><br />
<span style="color: #ffd966;">Narrated by: Greg De Cuir, jr.</span><br />
<span style="color: #ffd966;">Cinematography: Mladen Panić and Johann Leitner</span><br />
<span style="color: #ffd966;">Music: Cricketant and Milan N. Lukić</span><br />
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<span style="color: #ffd966;">Cast:</span><br />
<span style="color: #ffd966;">Mladen Panić</span><br />
<span style="color: #ffd966;">Johann Leitner</span><br />
<span style="color: #ffd966;">Ivan Velisavljević</span><br />
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Genre: Experimental<br />
Duration: 16'<br />
Satibara Film and AFC 2009.<br />
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-49150577701702629602012-11-23T01:09:00.002-08:002012-11-23T01:11:28.978-08:00Nimani Teenage Riot - "Devojka iz LDP-a"<div dir="ltr" style="text-align: left;" trbidi="on">
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Ekipa Satibare i prijatelja spontano je osmislila i stvorila spot za mlađahni sastav Nimani Teenage Riot i jednu od njihovih elektro pop političkih veselica sa albuma "Devojke masovnog uništenja".<br />
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="281" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/46571849?badge=0" webkitallowfullscreen="webkitallowfullscreen" width="500"></iframe> <br />
<a href="http://vimeo.com/46571849">Devojka iz LDP-a</a> from <a href="http://vimeo.com/user2023454">sinisa dugonjic</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-88919439517662208552012-11-22T11:45:00.000-08:002012-11-23T05:35:25.889-08:00IZVRŠEN ATENTAT NA ČLANOVE SATIBARE!<div dir="ltr" style="text-align: left;" trbidi="on">
Sinoć oko ponoći, na kobnom mestu kod Vlade Srbije, kod raskrsnice ulica Kneza Miloša i Nemanjine, na članove Satibare Jelovac Sinišu i Velisavljević Ivana izvršen je mučki atentat.<br />
<br />
Posle važnih političkih razgovora, zasad obavijenih velom misterije, na istaknute funkcionere Satibare koji su mirno čekali na semaforu, u svom malom i poštenom, radničkom renou 5, atentatori su naleteli automobilom-ubicom marke audi.<br />
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U najmanju ruku neobičnim mogu se nazvati dve stvari povodom ovog nemilog događaja: atentatori, zasigurno potplaćeni od imperijalista i pete kolone, bili su maskirani u tobož naivne devojke pod dejstvom opijata, a policija, nekoliko političara, razne gradske službe i jedan čovek sa kamerom, navodno snimatelj RTS-a, okupili su se za tili čas pored mesta "nezgode". "Ne treba im javit, sve vide, čuju, znaju", kako rekoše KUD Idijoti u legendarnoj pesmi o novom fašizmu.<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/hbgjf-4cYfA?feature=player_embedded' frameborder='0'></iframe></div>
Iako su istaknuti članovi Satibare ostali nepovređeni i pribrani, svesni da revolucija od njih stvara jake ljude koji se ne mogu tek tako likvidirati, ovo je težak udarac za Satibaru. Neprijatelj je udario na važan kapital kojim naša grupa raspolaže: taj zlatni reno 5 iz 1985. godine razvozio nas je na snimanja, festivale, plenume, sednice, premijere i krsne slave, i čak je zaigrao u filmu "Pojačalo i gitara" kao glavni glumac.<br />
<br />
Ipak, napadi poput ovog ne mogu nas zaustaviti. Naplatićemo štetu, kupićemo vrata na otpadu, namestiti i dovesti isti taj reno u vozno stanje. Voziće nas još 30 godina, u inat reakcionarima, fašistima i svima onima koji onemogućavaju slobodni razvoj naprednih pojedinaca i grupa i njihov zajednički put ka besklasnom društvu.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl2Inl6Y_9TfG23dZ1t3ViVIu1XObU8pI1JFX46xBrBXdHG6uqT4MtWRgmGAoJfL8sHNladyUNTeUbYZW6KWLWiEatl_snInBcgt73lJRiqthifMzQi2-3_BTe0cH7GZrhgI4EofbnHjZt/s1600/An+amp+and+an+electric+guitar.mp4_001224400.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl2Inl6Y_9TfG23dZ1t3ViVIu1XObU8pI1JFX46xBrBXdHG6uqT4MtWRgmGAoJfL8sHNladyUNTeUbYZW6KWLWiEatl_snInBcgt73lJRiqthifMzQi2-3_BTe0cH7GZrhgI4EofbnHjZt/s320/An+amp+and+an+electric+guitar.mp4_001224400.jpg" width="320" /></a></div>
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Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-47979422597663335922012-09-26T01:12:00.000-07:002012-09-26T01:18:47.614-07:00Otvoreno pismo podrške Kokanu Mladenoviću<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
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<span style="color: lime;"><span lang="SR" style="mso-ansi-language: SR;">Na mejl Satibara
filma stiglo je nešto pomalo čudno: <i>anonimno</i> pismo <i>otvorene</i> podrške Kokanu Mladenoviću. Nije da nas ove vodeće struje u kulturi imalo zanimaju, ipak smo mi neka poštena alternativa, majku mu, ali pošto smo dobili ideju kako da mi, kao kolektiv, doprinesemo prevazilaženju problema, a
smatramo da je naše rešenje sigurno bolje od Đilasovog, koji sada razmišlja kako da situaciju učini nevažnom i neutralnom, odlučili smo da objavimo ovo pismo. Istina, malo smo ga frizirali, jer je na mestima bilo previše uvredljivo i čak je pozivalo na nasilje. Ipak i mi znamo za neku odgovornost.</span></span></div>
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<span lang="SR" style="mso-ansi-language: SR;"><o:p> </o:p></span><span lang="SR" style="mso-ansi-language: SR;"><o:p> </o:p></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>Izvesna
buru u srpskoj javnosti, pre svega onoj koja se naziva kulturnom, izazvale su
najave glumaca Ateljea 212 da će stupiti u generalni štrajk. Kao krivac za
takvu njihovu najavljenu odluku označen je upravnik te kuće Kokan Mladenović.</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV_9Cc9TEmvrN5X5VsDy9hy90bDw1SS-Oyd2gKPIGDR1d5WPieymB6wapltC9SN94qDFK5DI5AEgLwfoOGOmszqK_MBd1VS_AhYSnTPUy7YLCnzQZFVT5wYGHy8HZIhecbRsEgA-CP-Oj2/s1600/kokan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV_9Cc9TEmvrN5X5VsDy9hy90bDw1SS-Oyd2gKPIGDR1d5WPieymB6wapltC9SN94qDFK5DI5AEgLwfoOGOmszqK_MBd1VS_AhYSnTPUy7YLCnzQZFVT5wYGHy8HZIhecbRsEgA-CP-Oj2/s320/kokan.jpg" width="214" /></a></div>
<span lang="SR" style="mso-ansi-language: SR;"><br /></span></div>
<i>
</i><br />
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<span lang="SR" style="mso-ansi-language: SR;"><i>Javnost je na
konferenciji za novinare koju su organizovali glumci iz teatra videla poznata
lica sa televizije, Goricu Popović, Anicu Dobru, Gordana Kičića... Ima tu i
neka mlada rediteljka po imenu Anđa, neki kažu da je dobra mačka.</i></span><br />
<span lang="SR" style="mso-ansi-language: SR;"><br /></span>
<span lang="SR" style="mso-ansi-language: SR;"><i>E sad, pošteni
ljubitelji kulture gledaju te glumce i hoće da čuju u čemu je problem.</i></span></div>
<i>
</i><br />
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<a href="http://www.blic.rs/data/images/2012-06-14/251524_atelje-212-protest-glumaca01foto-o-bunic_f.jpg?ver=1348495677" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="183" src="http://www.blic.rs/data/images/2012-06-14/251524_atelje-212-protest-glumaca01foto-o-bunic_f.jpg?ver=1348495677" width="320" /></a></div>
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<span lang="SR" style="mso-ansi-language: SR;"><i>Oni kažu Kokan je
doš'o i narušio nam međuljudske odnose. To je jako velik problem, kažu. Doduše,
ja još nisam čuo za firmu u bilo kakvoj delatnosti, u kojoj ima nekih novaca, a
da su međuljudski odnosi dobri. Pogotovo ako se u takvom kolektivu malo radi, a
plata redovna. Štaviše, lično sam kratko boravio u jednom takvom preduzeću, gde
pri mom dolasku na posao ljudi nisu odgovarali na "dobro jutro". </i></span></div>
<i>
</i><br />
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<br /></div>
<i>
</i><br />
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>Mi koji smo čuli
vaše zahteve (a to je odlazak Kokana sa mesta upravnika) pomislili smo da bi
bilo lepo čuti šta kaže imenovani upravnik. </i></span><span lang="SR" style="mso-ansi-language: SR;"><i>I eto ti, ne
čekasmo dugo, u jednom danu Kokan kaže u više dnevnih listova i televizija
svoju verziju priče. </i></span><span lang="SR" style="mso-ansi-language: SR;"><i>I ta verzija je,
dragi moji glumci, tako logična, da ćemo u ovom pismu morati dati podršku
upravniku, a za vas zatražiti najstrože kazne.</i></span></div>
<i>
</i><br />
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<i>
</i><br />
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>Mi odavno znamo
da ste vi obrazovani glumci jedna neovejana banda parazita, koja je sklona
neradništvu više nego i jedna druga grupacija organizovanih ljudi. </i></span><span lang="SR" style="mso-ansi-language: SR;"><i>I pored toga što
živimo u društvu koje grca u kasnokapitalističkim lancima, vi plačete zato što
je Kokan rekao: bando, vreme je da nešto radite i zaradite platu! </i></span></div>
<i>
</i><br />
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<br /></div>
<i>
</i><br />
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>Vi ste bili jedni
od prvih klošara, uz razne zgubidane po naučnim institutima i obrazovnim
institucijama, koji su ustali i rekli da nam treba tržišna ekonomija, a onda
ste ostali u državnim jaslama i uzimali platu za nerad. </i></span></div>
<i>
</i><br />
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<i>
</i><br />
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>Dakle, dragi moji
glumci, mi znamo da se sve vrti oko onoga što naša braća sa zapada nazivaju
novci, a vi pare. Umesto da ste tu činjenicu istakli i doveli u pitanje, vi
mašete svojom popularnošću: narod vas voli, vi ste mu dragi, možeš misliti,
umetnost oplemenjuje. I zato što nas oplemenjujete, vi treba da ostanete izvan
jada i bede ove naše tržišne eksploatacije, za razliku od drugih radnika,
kojima valja svako da sedne na grbaču, jer oni nikoga ne oplemenjuju. E, ne
može! Svi u isto bure, pa da vidimo majci!</i></span></div>
<i>
</i><br />
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<i>
</i><br />
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<span lang="SR" style="mso-ansi-language: SR;"><i>Iako ne verujemo
da je Kokan Mladenović neka blistava figura, već jedna prosečna direktorčina u
vremenu odsustva proleterske istine, moramo ga podržati ne bi li se rešili
suštine parazitizma sa primesama bezobrazluka.</i></span></div>
<i>
</i><br />
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<a href="http://www.blic.rs/data/images/2012-09-20/274701_mladenovic200912ras-foto-nebojsa-markovic-08_f.jpg?ver=1348171333" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="183" src="http://www.blic.rs/data/images/2012-09-20/274701_mladenovic200912ras-foto-nebojsa-markovic-08_f.jpg?ver=1348171333" width="320" /></a></div>
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<i>
</i><br />
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<span lang="SR" style="mso-ansi-language: SR;"><i>Kokan vam je
sasuo u lice istinu da uzimate platu od 62 hiljade dinara, a da igrate jednu
predstavu nedeljno. Osim toga rekao i je da će vam doći na kraju neki radnici
koji godinu dana nisu primili platu u loše privatizovanoj firmi i razbiti glave
jer ne mogu da slušaju više o „problemima u pozorištu“. Kada su ti isti
radnici, a pre i posle njih ratni veterani i razna sirotinja, čamili ispred
vlade, štrajkovali glađu i spavali po ulici, niste pretili štrajkom ni davali saopštenja
da je išta poremećeno, nego ste osnivali firme i uzimali pare za filmove, serije i reklame, </i></span><span lang="SR" style="mso-ansi-language: SR;"><i>a sad ste digli dreku zbog "međuljudskih
odnosa". </i></span></div>
<i>
</i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKNBhn6STAv9UNKNvs7KR_oC4WNh-EXLMsmDHQo4IGZEsEPOJFGKf4v5WXUgw13erNJYJ33oBAT4QT8sazqGQHCDAa_XSM5XZpm40yrpNj5oR9Ktr8dpU_8I8qIeDZnUW0JDcFpSuxOk03/s1600/5971.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKNBhn6STAv9UNKNvs7KR_oC4WNh-EXLMsmDHQo4IGZEsEPOJFGKf4v5WXUgw13erNJYJ33oBAT4QT8sazqGQHCDAa_XSM5XZpm40yrpNj5oR9Ktr8dpU_8I8qIeDZnUW0JDcFpSuxOk03/s400/5971.jpg" width="400" /></a></div>
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<i>
</i><br />
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>Prema tome, odabranoj
glumačkoj bandi treba dati adekvatnu kaznu.</i></span></div>
<i>
</i><br />
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>A ona je danas
najprikladnija kada ti se oduzmu određena sredstva za život.</i></span></div>
<i>
</i><br />
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><i>Kokane, imaš punu
podršku da najuriš te takozvane kulturne vedete, koje su u suštini
konformistički muljatori i oportunisti! Pa kad se nađemo svi u istom sosu, možda neki od njih i postanu poštena inteligencija.</i></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Nakon što smo
pročitali ovo pismo, mi iz Satibara filma pomislili smo da ima građana koji
kažu da vole da idu u pozorište. Zbog njih Atelje 212 treba i dalje da radi, i
zato mi predlažemo Kokanu da sednemo i dogovorimo se.</span></span></div>
<div class="MsoNormal">
<span style="color: lime;"><br /></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Naime, on neka
ostane na funkciji direktora, a ceo repertoar Ateljea 212 radiće dva naša
glumca.</span></span></div>
<div class="MsoNormal">
<span style="color: lime;"><br /></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Jedan koji
trenutno radi kao trgovački putnik, i čije radno vreme se završava oko šest
uveče, i drugi koji svoj posao obavlja u kotlarnici Doma zdravlja i koji
radi</span><span style="mso-spacerun: yes;"><span style="color: lime;"> </span></span><span style="color: lime;">takozvane turnuse pa može
kombinovati više predstava nedeljno. Imamo i glumicu za ženske uloge, ako baš treba, a ovaj
koji radi u kotlarnici, osim što može da održava grejanje u zgradi i da igra
predstave, može i da bude visoka zvanica na premijerama. Takođe imamo reditelje
i scenariste za neke nove projekte.</span></span></div>
<div class="MsoNormal">
<span style="color: lime;"><br /></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Možemo raditi
nekoliko premijera mesečno. </span></span></div>
<div class="MsoNormal">
<span style="color: lime;"><br /></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Kokane, iskreno
da ti kažemo, ne moraš nam davati platu, obezbedi samo da nešto pojedemo i da
se okrepimo. </span></span></div>
<div class="MsoNormal">
<span style="color: lime;"><br /></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Satibara kolektiv
će preuzeti te obaveze i raditi ih časno. Naravno, ovakav način rada
podrazumeva da predstave budu besplatne.</span></span></div>
<div class="MsoNormal">
<span style="color: lime;"><br /></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Dakle, Kokane
Mladenoviću, ne odustaj! </span></span></div>
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<span style="color: lime;"><br /></span></div>
<div class="MsoNormal">
<span lang="SR" style="mso-ansi-language: SR;"><span style="color: lime;">Rešenja postoje.</span></span></div>
<span style="color: lime;"><br /></span></div>
Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0tag:blogger.com,1999:blog-1352297212880548959.post-17899810792419220822012-07-21T13:51:00.000-07:002012-07-21T13:51:34.933-07:00FANZINI SA MARSA osvojili nagradu u Sloveniji<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMlaYpmHP9f8KpoSLBo6WSCqG_L-5QtYCOb5LNK9c9x7HeUvr4GhONrenDCuO4ffjCCGabEVcMbzwTrOqwI1lEXO8fN06Lq-z2d6xBpUNxyB1Lby7l7vQtAu2dfEg0jK9TDEdwdP8q_eFx/s1600/logo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="59" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMlaYpmHP9f8KpoSLBo6WSCqG_L-5QtYCOb5LNK9c9x7HeUvr4GhONrenDCuO4ffjCCGabEVcMbzwTrOqwI1lEXO8fN06Lq-z2d6xBpUNxyB1Lby7l7vQtAu2dfEg0jK9TDEdwdP8q_eFx/s320/logo.png" width="320" /></a></div>
Upravo pristigle vesti sa Festivala fantastičnog filma i vina Grossmann, u Ljutomeru, Slovenija, obaveštavaju cenjeni publikum da je žiri u sastavu Igor Vidmar, Zdenko Franjić i Igor Bašin nagradu "Hrupni maček" (Bučna mačka) za najbolji muzički dokumentarac dodelio Siniši Dugonjiću za "Fanzine sa Marsa", u produkciji Satibara Filma. Ovo je još jedno priznanje za Dugonjićev film, posle nagrade na DORF-u u Vinkovcima/Rijeci.<br />
<br />
Dole je objašnjenje na slovenačkom i engleskom, a film možete pogledati na našem blogu.<br />
<br />
<span style="color: blue;">Hrupni maček za najboljši glasbeni dokumentarec</span><br />
<span style="color: blue;"><br /></span><br />
<span style="color: blue;">Fanzini z Marsa (Fanzini sa Marsa), režija: Siniša Dugonjić (Srbija) </span><br />
<span style="color: blue;"><br /></span><br />
<span style="color: blue;">Žirija v sestavi Igor Vidmar, Zdenko Franjić in Igor Bašin pravi takole:</span><br />
<span style="color: blue;"><br /></span><br />
<span style="color: blue;">Kratko in jedrnato. Brez balasta in samopoveličevanja. Učinkovito in kompleksno je zaobjeta fanzinovska scena in na njo vezana DIY (naredi sam) estetika ter odkriva filozofski, družbeni, politični in socialni pomen fanzinov. Četudi gre za zgodbo nekega minulega časa, nimamo opravka z nostalgijo, ampak s samorefleksijo in tudi kancem samokritike, ki se v modernih časih hiper(dez)informacij ponuja kot luč na koncu predora. Naredi svoj fanzin.</span><br />
<br />
***<br />
<br />
<span style="color: red;">Noisy Cat for Best Music Documentary</span><br />
<span style="color: red;"><br /></span><br />
<span style="color: red;">Fanzines from Mars (Fanzini sa Marsa) by Siniša Dugonjić (Serbia)</span><br />
<span style="color: red;"><br /></span><br />
<span style="color: red;">The Jury, comprised of Igor Vidmar, Zdenko Franjić and Igor Bašin explains:</span><br />
<span style="color: red;"><br /></span><br />
<span style="color: red;">Short and to the point, without filler and self-importance. It effectively encompasses the fanzine scene and its DIY (Do-It-Yourself) aesthetics and explores philosophical, social and political importance of the fanzines. Even though it is a story of times past, it is not nostalgic, but self-reflective and self-critical, which makes it even more important in these times of hyper(dis)information. Make your own fanzine.</span><br />
<span style="color: red;"><br /></span><br />
<a href="http://www.grossmann.si/news/grossmann-2012-awards/">http://www.grossmann.si/news/grossmann-2012-awards/</a></div>Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com2tag:blogger.com,1999:blog-1352297212880548959.post-60511877779565347052012-05-29T05:12:00.001-07:002012-06-04T04:24:09.967-07:00KUTINICA - PRESTONICA!<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span lang="EN-US" style="font-size: 12pt;"><span style="color: red;">Prvi tradicionalni
Dvadesetpetomajski susreti sela u Kutinici, </span></span></b></div>
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<b><span lang="EN-US" style="font-size: 12pt;"><span style="color: red;">odmah pored Kutine, </span></span></b></div>
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<span style="color: red;"><b><span lang="EN-US" style="font-size: 12pt;">SR Hrvatska, </span></b><b><span lang="EN-US" style="font-size: 12pt;">26-27. maj 2012. godine</span></b></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7iKS1D5vi8mOpdAyr64Y6qwaexC9nnwYJIXWAtJPuMuRgJl1jCaP4Xrdpx-LVwyL0_5rXDZ3x84PjnJ6nNd1t1yC2DUmwBkhnrhZxzu4BOl1SwFyWSveSHn2WRJ0B6u63006KRHjn_Id5/s1600/553582_3729933241210_1062347463_3309022_155623185_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7iKS1D5vi8mOpdAyr64Y6qwaexC9nnwYJIXWAtJPuMuRgJl1jCaP4Xrdpx-LVwyL0_5rXDZ3x84PjnJ6nNd1t1yC2DUmwBkhnrhZxzu4BOl1SwFyWSveSHn2WRJ0B6u63006KRHjn_Id5/s400/553582_3729933241210_1062347463_3309022_155623185_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Komandant Mladen osmatra teren</td></tr>
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<b><span lang="EN-US" style="font-size: 12pt;"><span style="color: blue;">SLUŽBENA
BELEŠKA</span></span></b></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: blue;">Trinaestočlana
srpsko-izraelska delegacija Jagnjeće brigade SATIBARA doputovala je u Kutinicu,
odmah pored Kutine, sa tri putnička transportera 26. maja 2012. godine u ranim
popodnevnim časovima</span><span style="color: red;">. </span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: white;">Odmah po srdačnoj razmeni pozdrava i alkoholnih dobara
između delegata SATIBARE i Janjeće brigade NH3 Kutina, pristupilo se isticanju
zastave na terasi Ogijevog doma i svečanom otvaranju plenarne sednice sa
sledećim Dnevnim redom:</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: red;">1. Revizija Predloga Historijskoistorijskog sporazuma između Srba i
Hrvata (u daljem tekstu: Historijskoistorijski sporazum), usvojenog na Filmskom
festivalu u Kutinici 1. oktobra 2011. godine.</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: red;"><br /></span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: red;">2. Usvajanje konačne verzije Historijskoistorijskog
sporazuma.</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: red;">3. Razno iće i piće.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS_cx5AEDu126hkrTpjaBvrfU2CjmcmLnXhHh3TGIWDiC03d5qAFotsiD6wpyDSXUsEKOx2MxrnY66pY9rBaH-rtm8mjtEmu5uiok3Pn5bDcJwNr0oPl6hoo3dm_t8B-621gdwvQCwoca-/s1600/555406_4136476096110_1409833522_78517992_1487578040_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS_cx5AEDu126hkrTpjaBvrfU2CjmcmLnXhHh3TGIWDiC03d5qAFotsiD6wpyDSXUsEKOx2MxrnY66pY9rBaH-rtm8mjtEmu5uiok3Pn5bDcJwNr0oPl6hoo3dm_t8B-621gdwvQCwoca-/s320/555406_4136476096110_1409833522_78517992_1487578040_n.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Peče se janjac za NK Vatrogasac</td></tr>
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<span lang="DE" style="font-size: 12pt;"><span style="color: blue;">Višečasovnu, mestimično artikulisanu raspravu, odlučno je
moderiralo Radno predsedništvo u sastavu: drugarice Šljiva, Loza i Dunja i
drugovi Vinjak, Špricer i Crno. Delegati su detaljno razmotrili sve aspekte Predloga
usvojenog 1. oktobra, koji je glasio:</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: white;"><b>„Evo vama Nikole Tesle, dajte nam Zvonka Bogdana“.</b></span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: red;">Politički komesar Janjeće brigade NH3 Kutina, drug Marko,
još jednom je naglasio svoje poznato stanovište sa zecom u jagnjetu, čime je
nenadmašno obeležilo ovu, kao i prošlogodišnju Prvooktobarsku raspravu.</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: red;">Ošamućeni ubedljivom argumentacijom navedenih drugarica i
drugova, delegati su pristupili nadglasavanju. Konačan tekst
Historijskoistorijskog sporazuma usvojen je višeglasno.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnQyQbXFekhIWlWJEs7ljHLwIvy3vgm3FVD4ZMFfISAG_uc2o11mEROGrq3afkymvhBjDXCw7z2vEJWswzNxgR4SUpCUKDsFd1smLBpH2iwfcN3p06BeqX219b5m6eRMvm3IzeG0mGlR00/s1600/DSC_0102.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnQyQbXFekhIWlWJEs7ljHLwIvy3vgm3FVD4ZMFfISAG_uc2o11mEROGrq3afkymvhBjDXCw7z2vEJWswzNxgR4SUpCUKDsFd1smLBpH2iwfcN3p06BeqX219b5m6eRMvm3IzeG0mGlR00/s400/DSC_0102.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Obrnuti državni barjak, pentagram na majici, šahovnica na nožici</td></tr>
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<b><span lang="EN-US" style="font-size: 12pt;"><span style="color: blue;">HISTORIJSKOISTORIJSKI
SPORAZUM SRBA I HRVATA</span></span></b></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: blue;">Član 1.</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: blue;">Predlog
Historijskoistorijskog sporazuma (“Službeni glasnik SATIBARE” br. 1 od 7.
oktobra 2011. godine), menja se i glasi:</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: blue;">“Eve
vam Zvonka Bogdana, dajte Ninu iz Kutine, jebeš Teslu”.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_XpTrLR9cuRjzhdceA1d3txsgsN-dMrf2JqCQgTNBf11QqIJ3_mDqtsw2398DDRbHoqZsZjvDC7YZ3VVQ_Jo39cPhSGykgORQZfJisjbtgl5gVd-uVDLnksyUiagn8MEEZVYMKlNHX0qd/s1600/542415_3729941881426_1062347463_3309036_1467153161_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_XpTrLR9cuRjzhdceA1d3txsgsN-dMrf2JqCQgTNBf11QqIJ3_mDqtsw2398DDRbHoqZsZjvDC7YZ3VVQ_Jo39cPhSGykgORQZfJisjbtgl5gVd-uVDLnksyUiagn8MEEZVYMKlNHX0qd/s400/542415_3729941881426_1062347463_3309036_1467153161_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nina iz Kutine, usmerava struju jače od Tesle</td></tr>
</tbody></table>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: white;">Član 2.</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: white;">Utvrđuje
se tekst srpskohrvatske-hrvatskosrpske himne i glasi:</span></span></div>
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<span style="color: white;"><span lang="DE" style="font-size: 12pt;">„</span><span lang="DE" style="font-size: 12pt;">Svaki
grobar p</span><span lang="EN-US" style="font-size: 12pt;">ravi</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: white;">Tuđmana Franju slavi,</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: white;">da nije bilo njega</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: white;">bili bi crveno-plavi.</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: white;">‘Ajmo crno-beli</span></span></div>
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<span style="color: white;"><span lang="DE" style="font-size: 12pt;">umro je Tuđman</span><span lang="DE" style="font-size: 12pt;"> Franja,</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: white;">Ćutaćemo jedan minut</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: white;">predsedniku Partizana.</span></span><span lang="DE" style="font-size: 12pt;"><span style="color: white;">“</span></span></div>
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<b><span lang="DE" style="font-size: 12pt;"><span style="color: red;">Prelazne i završne odredbe</span></span></b></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: red;">Član 3.</span></span></div>
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<span lang="DE" style="font-size: 12pt;"><span style="color: red;">Stupanjem na snagu ovog Sporazuma prestaju da važe svi
prethodni i budući nesporazumi.</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: red;">U
Kutinici, nejasnog trenutka daleko iza ponoći 27. maja 2012. godine</span></span></div>
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<span lang="EN-US" style="font-size: 12pt;"><span style="color: red;">Jagnjeća
brigada SATIBARA Janjeća
brigada NH3 Kutina</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs1FCLGZZIJ-hKNoGU_Ws0n2-yKRKkDxqosnn-skxyw0wpncRiDYYMcdwBTuWvtd_N0A9lFr7I_J9EGoENfdSOI__Zma6lU1zhmL45o1DXfV-e5nDXJVWcEIH5Nh6Ff3QXduCJmQlgyWbs/s1600/542415_3729942161433_1062347463_3309039_1387928033_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs1FCLGZZIJ-hKNoGU_Ws0n2-yKRKkDxqosnn-skxyw0wpncRiDYYMcdwBTuWvtd_N0A9lFr7I_J9EGoENfdSOI__Zma6lU1zhmL45o1DXfV-e5nDXJVWcEIH5Nh6Ff3QXduCJmQlgyWbs/s400/542415_3729942161433_1062347463_3309039_1387928033_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Atmosfera sa sednice</td></tr>
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<span style="font-size: 12pt;"><span style="color: blue;">Potpisivanjem Historijskoistorijskog sporazuma zaključen je plenarni deo
sednice, nakon čega se prešlo na hrkanje u malim radnim grupama, sa sledećim Noćnim
redom:</span></span></div>
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<span style="font-size: 12pt;"><span style="color: white;">1. Razmatranje operativno-taktičkog plana za otmicu Nine
iz Kutine i proterivanje Zvonka Bogdana ukoliko ne pristanu na humano preseljenje,</span></span></div>
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<span style="font-size: 12pt;"><span style="color: white;">2. Prazno.</span></span></div>
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<span style="font-size: 12pt;"><span style="color: red;">Drugog radnog dana
delegati su se posvetili kvalitativnoj evaluaciji minulog rada u plenumu.
Evaulacija je obavljena u dve radne grupe, u dvorištu Ogijevog doma i na brdu
poviše Kutinice.</span></span></div>
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<b><span style="font-size: 12pt;"><span style="color: blue;">Radna
grupa na brdu poviše Kutinice</span></span></b></div>
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<span style="font-size: 12pt;"><span style="color: blue;">Nakon iscrpne analize
hrvatske gusenice pokraj puta, sa posebnim osvrtom na njene karakteristike u
odnosu na srpsku gusenicu, usledila je kraća tišina koju je prekinuo i
razjasnio drug Hamarić: „Moraju li sve fore bit etničke?“</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFUmXF6Ojh3D8l6rJzaZSreDvNorgkp90SnaKLAlmeic9EUqAYRT1EhgjrtL7_GaeeDGEOL6XmLDP6q8_qtYNeLkbd5-EOUXHeJYzNOAS2ZkpZ8rLcaLO3EYmNCsNkBN1hsSUyouJ-tgQM/s1600/IMG_2035_800x600.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFUmXF6Ojh3D8l6rJzaZSreDvNorgkp90SnaKLAlmeic9EUqAYRT1EhgjrtL7_GaeeDGEOL6XmLDP6q8_qtYNeLkbd5-EOUXHeJYzNOAS2ZkpZ8rLcaLO3EYmNCsNkBN1hsSUyouJ-tgQM/s400/IMG_2035_800x600.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pobeda nad janjetom</td></tr>
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<br /></div>
<div class="ListParagraphCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;">
<b><span style="font-size: 12pt;"><span style="color: white;">Radna
grupa u dvorištu Ogijevog doma</span></span></b></div>
<div class="ListParagraphCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;">
<span style="font-size: 12pt;"><span style="color: white;">Siguran sam da su na svoj
način došli do identičnog zaključka.</span></span></div>
<div class="ListParagraphCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;">
<br /></div>
<div class="ListParagraphCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;">
<span style="font-size: 12pt;"><span style="color: red;">Zahvaljujemo se Ogiju i
njegovim roditeljima na gostoprimstvu i neograničenoj toleranciji.</span></span></div>
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<br /></div>
<div class="ListParagraphCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;">
<span style="font-size: 12pt;"><span style="color: red;">U Beogradu, 28. maja
2012. godine</span></span></div>
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<br /></div>
<div class="ListParagraphCxSpMiddle" style="margin: 0cm 0cm 0.0001pt 265.5pt; text-align: center;">
<span style="font-size: 12pt;"><span style="color: red;">Belešku sačinio </span></span></div>
<div class="ListParagraphCxSpMiddle" style="margin: 0cm 0cm 0.0001pt 265.5pt; text-align: center;">
<span style="font-size: 12pt;"><span style="color: red;">Ivan Zlatić </span></span><span style="color: red; font-size: 12pt;"> </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPGBHOll1N4dYe82QPpmr9QEFQ1ExKEOqiAtdHRhO7AU6WiL_5hQL2iL2nR3EwNyR4VwyhchZRcFzmEORBspK2Q9d5KTpx_Su2_ZnpoOQEI0GVNU401I95CzUGrr9iDGf6H3B9QzSORMw0/s1600/537616_3729926321037_1061602809_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPGBHOll1N4dYe82QPpmr9QEFQ1ExKEOqiAtdHRhO7AU6WiL_5hQL2iL2nR3EwNyR4VwyhchZRcFzmEORBspK2Q9d5KTpx_Su2_ZnpoOQEI0GVNU401I95CzUGrr9iDGf6H3B9QzSORMw0/s400/537616_3729926321037_1061602809_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drug politički Satibare, Ivan Zlatić, sastavlja zapisnik</td></tr>
</tbody></table>
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NAKON SLUŽBENE BELEŠKE SLEDI KRATAK VIDEO ZAPIS KOJI NE PREPORUČUJEMO:</div>
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/43153157" webkitallowfullscreen="" width="500"></iframe>
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A POTOM I REVIJA FOTOGRAFIJA:</div>
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<br /></div>
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<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ZBGmJxFeRI_Kk4uOBMClfLz2Q-O5IPwXT2sUpet4EbdTK12pNa0UOEgF8idgTsbWKkAnPR59ySGRmIoDi4SDyJ2w7b9Rc6K7JCDa5jdfT8ypl4CppAIctO3VAQyzqY5k9_aQR41e0gfP/s1600/DSC_0116.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ZBGmJxFeRI_Kk4uOBMClfLz2Q-O5IPwXT2sUpet4EbdTK12pNa0UOEgF8idgTsbWKkAnPR59ySGRmIoDi4SDyJ2w7b9Rc6K7JCDa5jdfT8ypl4CppAIctO3VAQyzqY5k9_aQR41e0gfP/s400/DSC_0116.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Revolucija se brani mesom i kostima!</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf1gIp24SwevUyuf5ZQeCpKdZ0HmqYRdE3581eiWGUf3YrQhgex_VmSGLzX6hU1ZTROk_jRMGgR5PbgBNR0v9wytnwhfzIGDBB71eUNMHrgjLBWyrrK3OL-Pl2MXA5lfSgDSy1Mpih_YYJ/s1600/380222_3729955441765_1062347463_3309061_2092679875_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf1gIp24SwevUyuf5ZQeCpKdZ0HmqYRdE3581eiWGUf3YrQhgex_VmSGLzX6hU1ZTROk_jRMGgR5PbgBNR0v9wytnwhfzIGDBB71eUNMHrgjLBWyrrK3OL-Pl2MXA5lfSgDSy1Mpih_YYJ/s400/380222_3729955441765_1062347463_3309061_2092679875_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drug Marko, politički komesar NH3 Kutine, prvak u lovu ribe za žene</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFMrrc9mdO-fQJIlonjLrbFm6Cjjg97c02u8zBWibjS8uNz4j9qleb6tHicBSOM_aUQN8Kkqi-sX0ZWqO0BfXOviyv6uXtnD_ijbKcdo-vvwloK1a3neOYs_-37Rrb5lIRl93X-XcUyC6x/s1600/380222_3729955521767_1062347463_3309062_1132927923_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFMrrc9mdO-fQJIlonjLrbFm6Cjjg97c02u8zBWibjS8uNz4j9qleb6tHicBSOM_aUQN8Kkqi-sX0ZWqO0BfXOviyv6uXtnD_ijbKcdo-vvwloK1a3neOYs_-37Rrb5lIRl93X-XcUyC6x/s400/380222_3729955521767_1062347463_3309062_1132927923_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drugu Zimbi, sekretaru partijske ćelije Mačva, pitanja socijalizma zadaju glavobolje</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKT9Crg9m4ePUSj55t69Bsh0HMh-WdzgZV0i1AkxT_xTCUhC1p4o14OT9TGO57l4nxoYx9QGaH7anESbKkcUpZX-U5EFbgspp6a8kys-p-YPmmh12pGqXEdTTI7eWHCB8ABzc9mvkzC7Pq/s1600/380222_3729955561768_1062347463_3309063_2091523684_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKT9Crg9m4ePUSj55t69Bsh0HMh-WdzgZV0i1AkxT_xTCUhC1p4o14OT9TGO57l4nxoYx9QGaH7anESbKkcUpZX-U5EFbgspp6a8kys-p-YPmmh12pGqXEdTTI7eWHCB8ABzc9mvkzC7Pq/s400/380222_3729955561768_1062347463_3309063_2091523684_n.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Samo odmora dok traje obnova! <br />
Partijski fotograf Zorana Lalić i sekretar AFŽ-a za pitanja čoveka,<br />
narodna heroina Marijana Mika Mitrović</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ns0cfuZ5G069xnAi51Y3q9977uwxL-Z3hrfJ-4Ue7UyfPwUenLeOTP_z2nON4U_ZftGX8lo6HINGPpHTIEmEHW00mn37ML8rNBOUUmFDH3jLy6dOJ3RNbJK53wDoU4pvXFn1M5lciAEt/s1600/380222_3729955681771_93694290_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ns0cfuZ5G069xnAi51Y3q9977uwxL-Z3hrfJ-4Ue7UyfPwUenLeOTP_z2nON4U_ZftGX8lo6HINGPpHTIEmEHW00mn37ML8rNBOUUmFDH3jLy6dOJ3RNbJK53wDoU4pvXFn1M5lciAEt/s400/380222_3729955681771_93694290_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Napravili smo Jugoslaviju, šta ćemo sad, jebem ti život?</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh56YljLEUXwbWPwh1orfgdcPOZhVfgP0Uwrc8hW5Xk8-OW3Jn5GTJHG5MxS3lMCtNrpP2SIfrNtsFKa-QhLmKg4MHyD0T4QLpsWoGWPyAAK6RYUTuiOie_hStOjudFEuaT8SVgGV6jpTtP/s1600/392386_3729948961603_1062347463_3309047_1749202490_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh56YljLEUXwbWPwh1orfgdcPOZhVfgP0Uwrc8hW5Xk8-OW3Jn5GTJHG5MxS3lMCtNrpP2SIfrNtsFKa-QhLmKg4MHyD0T4QLpsWoGWPyAAK6RYUTuiOie_hStOjudFEuaT8SVgGV6jpTtP/s400/392386_3729948961603_1062347463_3309047_1749202490_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Načelnik programerske uprave drug Ogi <br />
sa osmehom objašnjava izaslaniku partije za Kanadu i anarhizam<br />
drugarici Irini<br />
kako smo rekli istorijsko ne Rusima</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiudcj4_o6lCGTC1qRnr51GXQsR-wy9_H9qWlidgWSwQ5ff7p2l7O5vJUf3RbNoUNs-SAEidM5ucjxvp6R80ZL4taYOPXg0d42iVM1ZuZU9uYFz376KCMziZeMwSV_Wej3ouHVbCPdDiWdu/s1600/392386_3729949081606_1062347463_3309048_138167428_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiudcj4_o6lCGTC1qRnr51GXQsR-wy9_H9qWlidgWSwQ5ff7p2l7O5vJUf3RbNoUNs-SAEidM5ucjxvp6R80ZL4taYOPXg0d42iVM1ZuZU9uYFz376KCMziZeMwSV_Wej3ouHVbCPdDiWdu/s400/392386_3729949081606_1062347463_3309048_138167428_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Šefica revkoma za agrar i prinudni otkup drugarica Jelena u srdačnom<br />
razgovoru sa Mikom i Noom o pitanjima zemlje, čoveka i nesvrstanosti</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim2ic564fyUeNgg1F7_oI_ODV37hSwvaNPN7nCb8z5VLN_u6lyBIhJf1W6qxGUkJBO5a7feEimxubfLftStG9byP1I2f0otKWU_cIO4fA4A1P5-p3rVopUX4G7PEe9MO-nbW3UkRiGsptT/s1600/392386_3729949161608_1062347463_3309049_1213628237_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim2ic564fyUeNgg1F7_oI_ODV37hSwvaNPN7nCb8z5VLN_u6lyBIhJf1W6qxGUkJBO5a7feEimxubfLftStG9byP1I2f0otKWU_cIO4fA4A1P5-p3rVopUX4G7PEe9MO-nbW3UkRiGsptT/s400/392386_3729949161608_1062347463_3309049_1213628237_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drugovi Žućo, Bule i Haf u desantu na šarane</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr42jkth_36MTXiJt-i9aRJdWciV0cNsvJYVF5Ugn6KOFCjU3SSh_Zef9DnD0Hg_2KkAC_CBk8oWdbpY1FuffHOzS2ADmB_XBPVX0Vp4N5uQjKomZfpX32-tqcEGtFcEtUtggjDcv06wbT/s1600/392386_3729949201609_1062347463_3309050_2014663456_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr42jkth_36MTXiJt-i9aRJdWciV0cNsvJYVF5Ugn6KOFCjU3SSh_Zef9DnD0Hg_2KkAC_CBk8oWdbpY1FuffHOzS2ADmB_XBPVX0Vp4N5uQjKomZfpX32-tqcEGtFcEtUtggjDcv06wbT/s400/392386_3729949201609_1062347463_3309050_2014663456_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Duel Titana</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMWfdXD_KWmv-AwtsrNjRWQjRQrkqajt5R4kPBk6hJTUQA79zO6iAUG2X1i_1XPcnPYTCeK1U9F3LcWPZ04ZM-0qMQmC5G3GZ1QBIDbYpIQbSmp95oEHt34Pdew5letgutfYVAoT7cnfRO/s1600/537616_3729925361013_1731580189_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMWfdXD_KWmv-AwtsrNjRWQjRQrkqajt5R4kPBk6hJTUQA79zO6iAUG2X1i_1XPcnPYTCeK1U9F3LcWPZ04ZM-0qMQmC5G3GZ1QBIDbYpIQbSmp95oEHt34Pdew5letgutfYVAoT7cnfRO/s400/537616_3729925361013_1731580189_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Neko mora isprogramirati te rovove</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZP_ABja9SRJpLVWSZspRy_J3KYyTMj0mD4LGkotyaZZYlctNiIqQ-CtmfPcr8Oz5AleUYivzJmllGIfqYXWvFGoCJxabQ0Fd0L8eQluxy9y9ocq-scKcKJt3vT07CVjDb0id78rGa0SN/s1600/537616_3729925601019_1062347463_3308998_619325159_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZP_ABja9SRJpLVWSZspRy_J3KYyTMj0mD4LGkotyaZZYlctNiIqQ-CtmfPcr8Oz5AleUYivzJmllGIfqYXWvFGoCJxabQ0Fd0L8eQluxy9y9ocq-scKcKJt3vT07CVjDb0id78rGa0SN/s400/537616_3729925601019_1062347463_3308998_619325159_n.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nina sa predstavnikom nove i bolje Jugoslavije</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihP3fhKRXEbgqFPFBFehQu67olo-II-tHrNM6sgq2gs929jKQSiXWjBD5Dof0qic7rjai5vWh7hPbPEGFnd7tu7x9ESFo6YtB19T8VryRDLZWeGxLGFC-rFJJfgodaitHsG2fTl6MEQmmv/s1600/537616_3729925881026_1062347463_3308999_1178703252_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihP3fhKRXEbgqFPFBFehQu67olo-II-tHrNM6sgq2gs929jKQSiXWjBD5Dof0qic7rjai5vWh7hPbPEGFnd7tu7x9ESFo6YtB19T8VryRDLZWeGxLGFC-rFJJfgodaitHsG2fTl6MEQmmv/s400/537616_3729925881026_1062347463_3308999_1178703252_n.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drugarica Iva, načelnica AFŽ-a za odgoj, lepotu i rađanje Nove Jugoslavije</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-uhBJsP8-zaP_RqY7fnDJw0vKTB1fE72N1taotV2WQS__NPu6_iOHZ1AgoPV96uz-qPH9GvUTHVUk8KuVzktjPgSxanG3ZCgzNeJYbhwHceAvcecJpMHoFHUu3VPErmQWGVppoHghW9i6/s1600/537616_3729926081031_1072373462_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-uhBJsP8-zaP_RqY7fnDJw0vKTB1fE72N1taotV2WQS__NPu6_iOHZ1AgoPV96uz-qPH9GvUTHVUk8KuVzktjPgSxanG3ZCgzNeJYbhwHceAvcecJpMHoFHUu3VPErmQWGVppoHghW9i6/s400/537616_3729926081031_1072373462_n.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Partizanski bračni par Bošnjak-Velisavljević u potrazi<br />
za apsolutno ničim</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDtEs2kW9NS9VW4-ldQhY8WqyU2UriZLirdSkx513e3ffxcFD5JTr9x5krMxuqs5hiLuMq7Ypqa_s3PIbWqHteUpqX443rNPF15KhxAHcioWEVjUYJ7zpPBsGDUnlVr0G2fQ_wDRRO1wWP/s1600/540027_4136473416043_1058821005_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDtEs2kW9NS9VW4-ldQhY8WqyU2UriZLirdSkx513e3ffxcFD5JTr9x5krMxuqs5hiLuMq7Ypqa_s3PIbWqHteUpqX443rNPF15KhxAHcioWEVjUYJ7zpPBsGDUnlVr0G2fQ_wDRRO1wWP/s400/540027_4136473416043_1058821005_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pivo moje babe, partizanske iz Karlovca</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG059jnyHiMlVmcVkzMn7iWLm_12X_UxID3s_rEr8SWjkafTQy5Ag9hZPEowIe6Tx8c7Fh1hzITcu4gTFGfgmalcajCzvSgfl30fRBi0CgpQBY6a45dSBp3vxpIp-o_JoalXkD9acu5H0a/s1600/540360_3729915640770_526291508_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG059jnyHiMlVmcVkzMn7iWLm_12X_UxID3s_rEr8SWjkafTQy5Ag9hZPEowIe6Tx8c7Fh1hzITcu4gTFGfgmalcajCzvSgfl30fRBi0CgpQBY6a45dSBp3vxpIp-o_JoalXkD9acu5H0a/s400/540360_3729915640770_526291508_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drug Ogi jedini je prijavio referat</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8iSJ2TGTsq5tL20HsmFBSoxjSOtSNYYDDnfkUhFAQ8nzU_7beNs0MKJNxKk6txXPnKghKOm_LbvkYZuiaOtyM56D-QaZru4BSBxr_XkomeT9GJ6VBtbGtn8hSQvNy2Q-zNFvjXqTwvJnn/s1600/540360_3729915880776_396110738_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8iSJ2TGTsq5tL20HsmFBSoxjSOtSNYYDDnfkUhFAQ8nzU_7beNs0MKJNxKk6txXPnKghKOm_LbvkYZuiaOtyM56D-QaZru4BSBxr_XkomeT9GJ6VBtbGtn8hSQvNy2Q-zNFvjXqTwvJnn/s400/540360_3729915880776_396110738_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ravnomjerna raspodjela dobara</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRuiTmiT5XoyHGXUyl1H2u4wsMo_3oAQMfJBehxLJjxjv3jezkFeds6nGQ_VqPGEm9aeJ3UGt5P3ioqpei8KRJoTQLQsXX3LRaxjcrfxQza0rXcEcyI9ZU_Q5khUbdqQjsgg6hB7XvtEAc/s1600/542415_3729941801424_1062347463_3309035_2134047890_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRuiTmiT5XoyHGXUyl1H2u4wsMo_3oAQMfJBehxLJjxjv3jezkFeds6nGQ_VqPGEm9aeJ3UGt5P3ioqpei8KRJoTQLQsXX3LRaxjcrfxQza0rXcEcyI9ZU_Q5khUbdqQjsgg6hB7XvtEAc/s400/542415_3729941801424_1062347463_3309035_2134047890_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Izaslanica KPJ za Bliski Istok drugarica Noa drema</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicSpymGWrUl41Rb0DSuFGjSih_FASviiQK3qdk2dkJ1xqvd9Yxv7R2ldzp-H3441PgaeFbOdHH57r5gxhLY9X_p2SU4wREWMzVuekMOo3_IQmqRNK6XSnP66_LwvNJ7RV_IHls7enm98Ry/s1600/542415_3729942001429_1062347463_3309037_1651871721_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicSpymGWrUl41Rb0DSuFGjSih_FASviiQK3qdk2dkJ1xqvd9Yxv7R2ldzp-H3441PgaeFbOdHH57r5gxhLY9X_p2SU4wREWMzVuekMOo3_IQmqRNK6XSnP66_LwvNJ7RV_IHls7enm98Ry/s400/542415_3729942001429_1062347463_3309037_1651871721_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ivo Eterović nije imao ovakvu tehniku...</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIoCQ5P2FMqd0jLQCLV7O2wybKAgsaX6CVCYzd9TWYn7EX9J7l7URjBzR2PT8Ji5V9bMHMkJLSkTPJaRDY1qeRxVMxabmC2f5i6ZBlv7XKDcNNHx0CDdcL3fbmuHZdQKI70N-iuB0YWsEh/s1600/542415_3729942041430_1062347463_3309038_1518698049_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIoCQ5P2FMqd0jLQCLV7O2wybKAgsaX6CVCYzd9TWYn7EX9J7l7URjBzR2PT8Ji5V9bMHMkJLSkTPJaRDY1qeRxVMxabmC2f5i6ZBlv7XKDcNNHx0CDdcL3fbmuHZdQKI70N-iuB0YWsEh/s400/542415_3729942041430_1062347463_3309038_1518698049_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ping-pong duel "Ninu za Bogdana"</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihoVfLsE1FxNQdqx5l8P_Dkjl7P2lkOLjyo63PbWgQtSlDoJ_gsD7I-zRBzAqtffKz3BRW9pW7fCjhe0mpqeXY0AM1w3PczF-LyMsGGmTUQwClVJnmkJRNPD5ylrB_yNWxNlJLtsKCpTyh/s1600/553582_3729933361213_1062347463_3309023_1317023196_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihoVfLsE1FxNQdqx5l8P_Dkjl7P2lkOLjyo63PbWgQtSlDoJ_gsD7I-zRBzAqtffKz3BRW9pW7fCjhe0mpqeXY0AM1w3PczF-LyMsGGmTUQwClVJnmkJRNPD5ylrB_yNWxNlJLtsKCpTyh/s400/553582_3729933361213_1062347463_3309023_1317023196_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"Oči su mi more Jadransko, kose su mi klasje panonsko..."</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT5Hd5t_pq2aXhPGacoMWxUk09-uaefX8zTOQ9nXZpVQJoCzvyDOa4PW3sFFgRQxf91nMAXnXcJCfz8deAH0NuhhUQh5rmNMBSgXa9dINXlTgv8oJEx12jNIgKT9jaSOf2-1dzARDTO9nA/s1600/553582_3729933601219_1062347463_3309024_174430745_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT5Hd5t_pq2aXhPGacoMWxUk09-uaefX8zTOQ9nXZpVQJoCzvyDOa4PW3sFFgRQxf91nMAXnXcJCfz8deAH0NuhhUQh5rmNMBSgXa9dINXlTgv8oJEx12jNIgKT9jaSOf2-1dzARDTO9nA/s400/553582_3729933601219_1062347463_3309024_174430745_n.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kako da sprovedemo prinudni otkup u Kanadi?</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik2Q4AQWkOiSaqe_whBP34ltgwaTZe4sEmI0-zoOfkPRldNclxqJBt7LS-9dCAyaPAdzxaGQ-flr1l1SQDAdBUZYHqCtFIQ6hrMQ-PDiz6W_A1YUg2qLmtXa9zFvx-tMTkZPr3i6JL2aQB/s1600/DSC_0103.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik2Q4AQWkOiSaqe_whBP34ltgwaTZe4sEmI0-zoOfkPRldNclxqJBt7LS-9dCAyaPAdzxaGQ-flr1l1SQDAdBUZYHqCtFIQ6hrMQ-PDiz6W_A1YUg2qLmtXa9zFvx-tMTkZPr3i6JL2aQB/s400/DSC_0103.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drug Smoki pipka</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNqWiCk8If0HasMH6m6jhU99FFJ-pCJzV5jRvjRiv0-0YWuo9XhoL7OoX8XnCPoVOYYFtAm_cJaziiRXLZlcAw15a6tLlyOhoRiMrv9LGoyg7gK29Xzp112WVsY6PCpbeSEdxhw-mHw_AV/s1600/DSC_0106.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNqWiCk8If0HasMH6m6jhU99FFJ-pCJzV5jRvjRiv0-0YWuo9XhoL7OoX8XnCPoVOYYFtAm_cJaziiRXLZlcAw15a6tLlyOhoRiMrv9LGoyg7gK29Xzp112WVsY6PCpbeSEdxhw-mHw_AV/s400/DSC_0106.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Zalivanje jagnjeta</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0dFiFFOxtLrm2cwGbKr_BDVAY7t0Rnw9BOrQ8IdzKVx2OoPMUMAT2nVvpf_2Ciis9WIb6_1ijiQrTzr4xGPJDkP6WR7KKF7eIDsM5TiI4JEviNndXpkYATY0TIHiL9Ij_bI3J4u7Z01cs/s1600/DSC_0119.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0dFiFFOxtLrm2cwGbKr_BDVAY7t0Rnw9BOrQ8IdzKVx2OoPMUMAT2nVvpf_2Ciis9WIb6_1ijiQrTzr4xGPJDkP6WR7KKF7eIDsM5TiI4JEviNndXpkYATY0TIHiL9Ij_bI3J4u7Z01cs/s400/DSC_0119.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Čuvajte bratstvo i jedinstvo kao zjenicu oka!</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLssL50GkSXU32hUXSL9FXPw9EpiAYL6KEdrOOGQjp0kLGc0PwIi0ReNzyLATrh0aBExhqbBaDywplurgVfRdLVhi7Tzg56jTjdJHK-3v7-UczvR2PDyFprt0_y0mUfmxHUa-2BGQh2a1Y/s1600/DSC_0125.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLssL50GkSXU32hUXSL9FXPw9EpiAYL6KEdrOOGQjp0kLGc0PwIi0ReNzyLATrh0aBExhqbBaDywplurgVfRdLVhi7Tzg56jTjdJHK-3v7-UczvR2PDyFprt0_y0mUfmxHUa-2BGQh2a1Y/s400/DSC_0125.JPG" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drugarica Petra, ambasador SFRJ u Portugalu</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhpFmm6fWH6HpHQUReJaXEZ5Ns09j-STL-F4X70nB9mUp3Adn0ig2KrNp_Zwl93qfQ4YnmVrB5qrCyLBX_A_iLLmtWp3bTntie8RWKn1_abeV_LCD4qS8BBOLq9_nCNlW7al28bgetEeZz/s1600/DSC_0131.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhpFmm6fWH6HpHQUReJaXEZ5Ns09j-STL-F4X70nB9mUp3Adn0ig2KrNp_Zwl93qfQ4YnmVrB5qrCyLBX_A_iLLmtWp3bTntie8RWKn1_abeV_LCD4qS8BBOLq9_nCNlW7al28bgetEeZz/s400/DSC_0131.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">AFŽ-ova šefica odsjeka za pitanja autoriteta drug-ca Renata</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnv8QuwoCXr6vmy7IoK_wpsbxHfpgs-E5wl4qYG07OjCtaLdASq6EGyG7yAnnU1snycxvkqAMwhhTtKypMtuWnzWgyu6fiDri3n8HZFzuLq9unVizGO4lizPqyevHQmPkAn544Vwi34XlL/s1600/IMG_2014_800x600.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnv8QuwoCXr6vmy7IoK_wpsbxHfpgs-E5wl4qYG07OjCtaLdASq6EGyG7yAnnU1snycxvkqAMwhhTtKypMtuWnzWgyu6fiDri3n8HZFzuLq9unVizGO4lizPqyevHQmPkAn544Vwi34XlL/s400/IMG_2014_800x600.JPG" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ako janjca nema, gulaša će biti, nešto treba jesti da bi mogli piti</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAjMd8FIbPKdmTeTkxaMkSaYQHl5Lsir0VAtA5cRVEiFUWx5nulYiEIsb16Oj-6uFmAeZqORQ0pdY2GOMb4oa7xY76UKNpW4krkKd6aO5f_mye5120hpDOqueYMgLlx9U48cGRCvvEen33/s1600/IMG_2020_800x600.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAjMd8FIbPKdmTeTkxaMkSaYQHl5Lsir0VAtA5cRVEiFUWx5nulYiEIsb16Oj-6uFmAeZqORQ0pdY2GOMb4oa7xY76UKNpW4krkKd6aO5f_mye5120hpDOqueYMgLlx9U48cGRCvvEen33/s400/IMG_2020_800x600.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Partijski ataše za kulturu drug Žagi u trenutku dok mu drug politički Stale<br />
demonstrira kakav je ukus jagnjetine</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzFOiyWlkTOGBWOiKBET3RrQNDnUCO_3CF4-TWUSld3XWIpI4FrGsgiKzU7juVxxQ7SIiPprdPwzhzko-4kLdWtTmOhEd3v4OzpfE6_GMD3xtZrs0NAgqeK_kkffmxWQ_RzzJ212qW2SqB/s1600/11789_4136463895805_1409833522_78517975_1212280582_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzFOiyWlkTOGBWOiKBET3RrQNDnUCO_3CF4-TWUSld3XWIpI4FrGsgiKzU7juVxxQ7SIiPprdPwzhzko-4kLdWtTmOhEd3v4OzpfE6_GMD3xtZrs0NAgqeK_kkffmxWQ_RzzJ212qW2SqB/s400/11789_4136463895805_1409833522_78517975_1212280582_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Geslo samoupravnog socijalizma dočekivalo je delegate</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD9SfbVgQLrDtOLK28WCwRTaX95oVNHdSAah5kakn8x_kBv35wYmHcSB1E4MQ2FoamkLwCKmC-kNxDKEHvon755Jgr_O8PXNXRQJhVctKI5oONx_JSDfOGLiaOPl6vjjkc4D6Kdusdzww_/s1600/319759_4136468895930_1409833522_78517985_539525852_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD9SfbVgQLrDtOLK28WCwRTaX95oVNHdSAah5kakn8x_kBv35wYmHcSB1E4MQ2FoamkLwCKmC-kNxDKEHvon755Jgr_O8PXNXRQJhVctKI5oONx_JSDfOGLiaOPl6vjjkc4D6Kdusdzww_/s400/319759_4136468895930_1409833522_78517985_539525852_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">I Nova Jugoslavija imaće svog vernog Reksa</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIGevThEhGFwvJau3HRX0xpg7myewwhvJqS1xndo1OceTpnpw4KvVpw_9z7caDzewLQIbKMGKd_243xJncQ9AejrU0cUrVOpuTrFkQJ3qEpbpqQTeO_5KiSUecVIjkOjEEIH7X4acdQ4ih/s1600/532709_4136471615998_648022079_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIGevThEhGFwvJau3HRX0xpg7myewwhvJqS1xndo1OceTpnpw4KvVpw_9z7caDzewLQIbKMGKd_243xJncQ9AejrU0cUrVOpuTrFkQJ3qEpbpqQTeO_5KiSUecVIjkOjEEIH7X4acdQ4ih/s400/532709_4136471615998_648022079_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Načelnik UDBE drug Jelovac demonstrira znanja sa akademije u NR Kini</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZHHuxJ_u69K2HALzzYkGsm5mtJoIfAuJK1qt-1-yLeaZdUP6hkhpo8ZPHx_d5STthHhzhSYhuREvxbLKUhLEeADwjPA5AD1asjlZ_MU7JFLsYM-UUnOYUGEk5y51jwGCdUoXBwE1qjMQH/s1600/545685_4136464695825_1391655099_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZHHuxJ_u69K2HALzzYkGsm5mtJoIfAuJK1qt-1-yLeaZdUP6hkhpo8ZPHx_d5STthHhzhSYhuREvxbLKUhLEeADwjPA5AD1asjlZ_MU7JFLsYM-UUnOYUGEk5y51jwGCdUoXBwE1qjMQH/s400/545685_4136464695825_1391655099_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Šef kontrašpijunaže drug Hamarić objašnjava načelniku<br />
rokenrol odsjeka UDBE drugu Velisavljeviću kako je od mrskih eksploatatora<br />
i fašista ukrao dokumenta</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwOlWcABcuNxvoXZFN58IgyuLWazAF3phy-KOM1s0M9vNKDcHSUedtARx32qrrbaJKGBRoH8Tv5rAkLYQyd5GW20PTlHaa16uScVQ6xhQ2OQKFHI9JUO-EpYeoE7s5iaIWi1Oum2jzLHIR/s1600/550672_4136465415843_1409833522_78517979_247853190_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwOlWcABcuNxvoXZFN58IgyuLWazAF3phy-KOM1s0M9vNKDcHSUedtARx32qrrbaJKGBRoH8Tv5rAkLYQyd5GW20PTlHaa16uScVQ6xhQ2OQKFHI9JUO-EpYeoE7s5iaIWi1Oum2jzLHIR/s400/550672_4136465415843_1409833522_78517979_247853190_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alfa i omega Agitpropa drug Dugonjić u akciji</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdFSPhKg1qf5h8QR79SljIrPrbBhRPCOIa7SGMGmkq8PX_XaqYhgNjLzOA6pno0fg77W655iGcEydkFoXQ0B0nCCu5h3uOG3GiVL59snRKChs1-lSs_HY6DiUvW6oajvN7NzjaagW-baYD/s1600/550864_4136474896080_589392670_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdFSPhKg1qf5h8QR79SljIrPrbBhRPCOIa7SGMGmkq8PX_XaqYhgNjLzOA6pno0fg77W655iGcEydkFoXQ0B0nCCu5h3uOG3GiVL59snRKChs1-lSs_HY6DiUvW6oajvN7NzjaagW-baYD/s400/550864_4136474896080_589392670_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Predali smo MOSAD-ove dokumente, sad može da se odrema</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMb6Ap0_F7tOfxKu4RZHBdjFt4pkqB3E4cksjMSe5cfaIqJq9vTJXrFv_UQcaz6f0Ns-GSd9kQz_6qt6AS9aCrpZoWpHoJL8-etx4q7-YwN8a9njwhnEWacfQIO6n2RpuB547s1o-D729p/s1600/552787_4136472536021_1409833522_78517988_1532744902_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMb6Ap0_F7tOfxKu4RZHBdjFt4pkqB3E4cksjMSe5cfaIqJq9vTJXrFv_UQcaz6f0Ns-GSd9kQz_6qt6AS9aCrpZoWpHoJL8-etx4q7-YwN8a9njwhnEWacfQIO6n2RpuB547s1o-D729p/s400/552787_4136472536021_1409833522_78517988_1532744902_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sekretarica AFŽ-ovog odeljenja za ekstremne sportove drugarica Marija<br />
merka jedan od rekvizita za pomenute ekstremne sportove</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKs3LocbXdyrFuIM0TmUYAE7ELVp9lQ6AZ4NqYnKA_sDH9cV35nl3T1Gg3QeIMGcELb2nDdtQyAYZTu4gdp3WEawMgUbQgJuxKCiTuSWtbpM0JVFhzMKgBkYYn_neVGw_Kj6QiSP1jhhnk/s1600/564944_4136462535771_1409833522_78517974_263943705_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKs3LocbXdyrFuIM0TmUYAE7ELVp9lQ6AZ4NqYnKA_sDH9cV35nl3T1Gg3QeIMGcELb2nDdtQyAYZTu4gdp3WEawMgUbQgJuxKCiTuSWtbpM0JVFhzMKgBkYYn_neVGw_Kj6QiSP1jhhnk/s400/564944_4136462535771_1409833522_78517974_263943705_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Put u komunizam i bolje sutra...</td></tr>
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</div>Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com1tag:blogger.com,1999:blog-1352297212880548959.post-33682910205611568442012-05-22T05:06:00.000-07:002012-05-22T05:06:33.648-07:00Valentina Kovač<div dir="ltr" style="text-align: left;" trbidi="on">
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Rođenа je u Novom Sаdu, sаdа živi i rаdi u Beogrаdu. Diplomirаlа glumu u ratno doba raspada Jugoslavije, u klаsi Mire Bаnjаc. Odmah počinje da radi u Narodnom pozorištu u Zrenjaninu, iz koga posle godinu i po odlazi, rešena da više nikad ne radi u pozorištu u Srbiji. Iskustvo realnosti srpskih institucija ju je toliko zgrozilo, da sledećih šest godina ne ulazi ni u jedno pozorište čak ni da odgleda predstavu. Počinje da posećuje radio i tv stanice i da daje svoj glas, pa i lik, za različite emisije. Počinje da piše tekstove koje čitaju drugi novinari. Tokom vremena dolazi i na uredničke pozicije u pojedinim medijima, a njeni pokušaji da ubaci nekomercijalne i sadržaje koji ne interesuju većinu publike, uglavnom su, s pravom, osujećivani od strane vlasnika tih medija.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtsVaR7BKDrQCDWEWdGPGzAd90BHCHPvyIpdnGHTXGwatUEvv_y2S2tewlpxqJ4kPSn9ftavNN7KYSKZQiX9esIPYyNcODgjL2n_Jz3a2FKIudE7TIBueuvHL0GWHObCPUNqGn0SMx2D-p/s1600/skin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtsVaR7BKDrQCDWEWdGPGzAd90BHCHPvyIpdnGHTXGwatUEvv_y2S2tewlpxqJ4kPSn9ftavNN7KYSKZQiX9esIPYyNcODgjL2n_Jz3a2FKIudE7TIBueuvHL0GWHObCPUNqGn0SMx2D-p/s320/skin.jpg" width="320" /></a></div>
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Pozorištu se, slušajući vapaj svoje duše, vraća posle godina samoizgnanstva. Problem jalovosti institucija rešila je uključivanjem u rad nezаvisne trupe „Humаn teаtаr“ u Novom Sаdu. Počinje i višegodišnja saradnja sa frаncuskim pozorištem „Les Foirаdes“ i rediteljkom Pаscаle Spengler koja je uvodi u svet fizičkog teаtrа i evropskog modernog pozorišnog izrаzа. Shvata da je baš to ono što traži u pozorištu. To je više godina kasnije odvelo i na master studije holandske MAPA akademije, jer – severnjaci razbijaju fizički teatar. I moderni pozorišni izraz. I flaše piva.</div>
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U prvim filmovima se pojavljuje sa 16, gde uči decu da ne jedu „fast food“, ne puše i ne piju, nego da se bave sportom. Posle toga je propušila, propila se i napustila karate. Prestaje da se pojavljuje u filmovima, sve do Satibare.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtK_jZzv1MExTTv4Xi4q5K43YlCWHO33Jc4GsVpT0hSCN1Z9DMOFWPxbw0IT1z5dywdv1t88JRW3HhLBPNJvFIOwxRDuPgSkVHDrczhhNXhpvQWFC0UwyW62QL_wbmhvp49O5a_n_j2Nd9/s1600/036b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtK_jZzv1MExTTv4Xi4q5K43YlCWHO33Jc4GsVpT0hSCN1Z9DMOFWPxbw0IT1z5dywdv1t88JRW3HhLBPNJvFIOwxRDuPgSkVHDrczhhNXhpvQWFC0UwyW62QL_wbmhvp49O5a_n_j2Nd9/s400/036b.jpg" width="187" /></a></div>
</div>Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com1tag:blogger.com,1999:blog-1352297212880548959.post-20459382104237016432012-05-21T12:32:00.002-07:002012-05-22T01:05:18.211-07:00Satibara Elektrika Pančevo vs. Dosada Nevladine organizacije Narodnooslobodilačka borba<div dir="ltr" style="text-align: left;" trbidi="on">
Satibara kolektiv otišao je 19. maja u Pančevo kako bi u Galeriji "Elektrika" predstavio svoj rad.<br />
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Tom prilikom pušteni su filmovi <i>Pojačalo i gitara</i>, <i>Fanzini sa Marsa </i>i <i>Moderna devojka</i>.<br />
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RTV Pančevo napravila je kratak prilog o ovom istorijskom događaju u kojem članovi Satibare i autori filmova Siniša Jelovac, Siniša Dugonjić i Marina Radmilac kažu da je dosada važna tema od koje ljudi beže, da bi fanzinaši danas radili u NGO sektoru na pitanjima manjina i da Satibara neguje tekovine NOB-a. <br />
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Prilog možete pogledati na Jubitou.<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/xQBCeYZfieg?feature=player_embedded' frameborder='0'></iframe><br />
<br /></div>Ivan Velisavljevićhttp://www.blogger.com/profile/12798494178808446436noreply@blogger.com0